Transcript
[0:00] The ancient Essenes, uh, perhaps
[0:02] identified best the, uh, the role of of
[0:06] our personal relationships and, uh,
[0:09] categorized them. They went so far as to
[0:11] actually categorize
[0:13] >> [music]
[0:13] >> seven mysteries of relationship that we
[0:16] would live, each individual through the
[0:19] course of of their lives would live, uh,
[0:22] simply by living life in the presence of
[0:24] one another.
[0:25] They have categorized these as mirrors.
[0:28] And what they remind us of is that each
[0:31] moment of our life, the reality that we
[0:33] have become within is mirrored to us. It
[0:36] is a reflected reality. It is mirrored
[0:39] to us by the [music] actions and the
[0:41] choices and the language of those around
[0:44] us. The first mirror of those
[0:46] relationships
[0:48] >> [music]
[0:48] >> is a mirror, uh, of our presence in the
[0:52] moment. It's the mystery of the first
[0:54] mirror. What it is [music] that we
[0:56] reflect to those around us in the
[0:58] moment. When we find ourselves
[1:00] surrounded by individuals and patterns
[1:02] of relationship and behavior,
[1:04] uh, with a dominant, uh, aspect of anger
[1:08] or rage or fear perhaps, and the mirror
[1:10] works both ways. It could just as easily
[1:12] be joy and ecstasy and and happiness in
[1:16] our lives. If the fear first mirror is,
[1:19] uh, is at play,
[1:20] >> [music]
[1:20] >> what we're seeing is a mirror of that
[1:23] which we are in the moment. That's what
[1:25] which we are radiating to those
[1:27] individuals around us as they mirror or
[1:30] shine back to us that which has been
[1:33] offered, [music] the mirror of, uh, of
[1:35] that which we are in the moment.
[1:38] The second mirror of relationship, uh,
[1:41] is of a similar quality, although it's a
[1:43] little more subtle. [music] Rather than
[1:45] mirroring to us what we are in the
[1:47] moment, the second mirror mirrors to us
[1:49] that which we judge in the moment.
[1:52] If [music] you should find yourself
[1:54] surrounded by individuals who
[1:57] demonstrate patterns of behavior
[1:59] >> [music]
[1:59] >> uh that perhaps
[2:02] uh
[2:02] frustrate you, push your buttons of
[2:05] anger or rage,
[2:06] >> [music]
[2:06] >> and you sense that those are not your
[2:08] patterns. They're not you in the moment.
[2:10] You ask yourself, [music]
[2:11] are they showing me me in this moment?
[2:13] And you say honestly to yourself, no,
[2:16] then there's a a good possibility they
[2:17] may be showing you that which you judge
[2:19] [music] in the moment.
[2:21] The anger and the rage or the joy that
[2:24] you uh that you were judging in that
[2:26] moment.
[2:28] When you find many [music] different
[2:30] people demonstrating the same patterns
[2:32] to you,
[2:34] uh many different people demonstrating
[2:36] their anger, their rage
[2:38] to you.
[2:38] >> [music]
[2:38] >> Have you ever been angry and then been
[2:40] in a big hurry to get somewhere
[2:42] and gotten into your car
[2:44] to drive to wherever it was you were
[2:46] going and found
[2:47] >> [music]
[2:47] >> that everywhere you went you made the
[2:49] wrong choices. You made the wrong choice
[2:52] >> [music]
[2:52] >> in in the uh in the teller line at the
[2:54] bank. You chose the slow line. You made
[2:56] the wrong choice on the exit ramp on the
[2:58] freeway.
[2:59] >> [music]
[2:59] >> And everywhere when you're driving down
[3:01] the road, uh you're seeing people that
[3:03] are pulling out in front of you and then
[3:05] doing about 30 mph in a 55.
[3:08] They may be mirroring to you what you
[3:10] are in that moment. We're going to talk
[3:11] about a reflected reality
[3:14] in just a few moments. A reflected
[3:15] reality.
[3:17] Often, the mystery of the first mirror
[3:19] is precisely what's happening.
[3:22] Often, we will find uh
[3:24] >> [music]
[3:24] >> people in our presence who are mirroring
[3:26] to us that which we are in the moment.
[3:27] And often, that's not the case. And then
[3:29] people say, "Well, the mirrors don't
[3:30] work."
[3:31] Well, they do work if we have the wisdom
[3:34] to recognize what it is they're saying.
[3:36] >> [music]
[3:36] >> A few years ago, I had the opportunity
[3:39] a rare opportunity have three people
[3:41] come into my life
[3:43] in the same [music] month. Now, that
[3:44] should have been my clue right there.
[3:46] When three brand new relationships,
[3:49] [music] very different in nature, all
[3:51] occur within the same month, That's
[3:53] That's the flag that says something's
[3:55] going to happen here.
[3:56] >> [music]
[3:56] >> You better believe it.
[3:58] One of them was uh
[4:00] uh potentially a romantic relationship.
[4:03] One of them was potentially a business
[4:04] relationship.
[4:05] >> [music]
[4:06] >> One was uh
[4:07] a mix between a business and a
[4:09] relationship and a friendship.
[4:12] Each of them came into my life. Each of
[4:14] them came to me. That's to have been the
[4:16] second [music] clue. Each of them found
[4:18] me.
[4:20] Um
[4:23] the
[4:24] romantic relationship, it was with
[4:26] someone who I I had worked with.
[4:28] >> [music]
[4:28] >> We had spent a lot of time together. We
[4:30] had a lot of common interests. And it
[4:31] was one of those things where it just
[4:32] kind of made [music] sense to be
[4:33] together. It wasn't like uh there wasn't
[4:36] a powerful magnetic attraction. It was
[4:38] It was more uh
[4:39] just seemed [music] like thing to do.
[4:42] The business relationship was especially
[4:44] interesting for me.
[4:46] I was very busy doing seminars uh more
[4:49] than full-time. It's like like we are
[4:51] now.
[4:52] And uh and there was a gentleman that
[4:53] came to me and uh
[4:56] and offered to [music] do the logistics
[4:59] and to set these these seminars up,
[5:01] allowing me, freeing me up to do uh to
[5:04] do the things that I was choosing to do
[5:05] more of.
[5:07] And uh and allowing him to do the things
[5:09] that he did best.
[5:11] Sounded like a a good plan for me to do
[5:14] that. And the the friendship
[5:17] uh and kind of uh quasi business
[5:20] relationship, there was a [music]
[5:21] gentleman, a very talented, very skilled
[5:23] carpenter
[5:25] uh
[5:26] who asked
[5:27] uh if he could house it on my property
[5:31] in northern New Mexico while I was
[5:32] leading a group to Egypt
[5:35] uh in the late fall.
[5:37] And I had been looking for someone to
[5:38] stay on the property. And it looked like
[5:41] also a good thing to do. He said that he
[5:43] would like to stay at that property uh
[5:45] in exchange for his carpentry
[5:47] and and caretaker. And and so all of
[5:49] these happened right about the same
[5:51] time. It's a very very busy time in my
[5:52] [music] life.
[5:54] And I said I said okay, sure.
[5:57] Well, within that month
[6:00] within the same month that each of those
[6:01] three people [music] came into my life
[6:03] each of them just about began to make me
[6:06] crazy.
[6:07] They were just [music] driving me right
[6:08] up up the wall.
[6:11] And
[6:12] there's a pattern that I had
[6:14] demonstrated throughout much of my life.
[6:15] When things were making me crazy, we
[6:18] call it crazy making. When things were
[6:20] doing that for [music] me
[6:22] I would use logic. And through my logic
[6:24] I'd say, "Oh Greg, you're just you're
[6:26] just tired, you know, you've been on the
[6:27] road a lot.
[6:28] >> [music]
[6:28] >> Um you know, you're under a lot of a lot
[6:30] of pressure right now. Let's see how it
[6:32] is in another week or so or see how it
[6:33] is in a couple of weeks."
[6:35] And I would go away. I did this with
[6:36] these people and I'd go away on the trip
[6:37] and then I'd come back in a week or 10
[6:39] days and and everything was the same and
[6:41] I I I did this again and again.
[6:45] Well, there's a routine that I would do
[6:48] at that time in my life. When I would uh
[6:49] travel on a trip like this, I would come
[6:51] back through the Albuquerque airport.
[6:53] >> [music]
[6:54] >> I'd stop at the ATM, pull out some cash,
[6:56] pull my animals out of the vet, get the
[6:58] car out of parking, fill up the car
[6:59] [music] and and drive approximately 4
[7:01] hours to our home in northern New
[7:03] Mexico.
[7:04] And on this one particular trip uh
[7:07] I came home and I began that
[7:10] >> [music]
[7:10] >> that routine and and I didn't get very
[7:11] far with it.
[7:13] Because I I went to the ATM 5:00 on a
[7:16] Sunday afternoon at Albuquerque airport
[7:18] and the ATM machine told me there
[7:20] [music] was nothing in that account.
[7:23] And I knew that it was a mistake. I knew
[7:24] that the account was um
[7:27] was full because I'd just been approved
[7:29] for a construction loan. It was a a
[7:30] business construction loan on my
[7:32] property in northern New Mexico
[7:33] >> [music]
[7:33] >> and that there was plenty of money there
[7:35] and I would check it Monday morning.
[7:37] So I drove home
[7:39] and um
[7:41] Monday morning sure enough I got up and
[7:42] I called the bank and they said, "Well,
[7:43] there's no mistake, Mr. Braden. [music]
[7:45] Uh not only is there no money in this
[7:47] account, uh
[7:48] you are overdrawn by 71 checks and
[7:52] [music] there's uh $30 service charge on
[7:54] each of those checks. When can you come
[7:56] in and talk to us?"
[7:58] I said, "Well, I'll be right there."
[8:01] >> [music]
[8:02] >> And one of those checks was to my dear
[8:03] friend Jeff Volk and that that's how we
[8:05] met. [laughter] So, now Jeff gets the
[8:06] story.
[8:09] Because Jeff had trusted me and sent me
[8:10] a video. I'm sorry, Jeff. I really
[8:12] >> [laughter]
[8:15] >> So, I did. I went to the bank and I
[8:16] said, "Well, what's happening?" They
[8:17] said, "Well, there was a wire." "A
[8:19] wire?"
[8:20] Withdrawal [music]
[8:22] um
[8:22] from your account was not authorized. It
[8:24] was not authorized by me and they
[8:25] believed that it was.
[8:27] And uh and every penny in that account
[8:29] had been taken and all the checks
[8:30] already been written outstanding were
[8:32] [music] were now uh coming back against
[8:34] that account.
[8:36] And when something like that happens, uh
[8:38] there's really no way to rationalize
[8:40] anything else. [music] You can't do
[8:42] anything else. So, I I didn't even have
[8:43] enough money to put gas in my car
[8:45] >> [music]
[8:46] >> and get my animals out of the vet. There
[8:47] was absolutely nothing that was there
[8:48] and I had to go home and look at this. I
[8:50] said, "Wow, [music] something is
[8:51] something big is happening here."
[8:54] Well, at the same time, uh I had just
[8:56] completed a tour, a series of workshops
[8:59] uh along the Pacific Northwest, [music]
[9:02] uh
[9:03] for about uh about 30 days.
[9:06] And the [music] the people who had
[9:07] offered to set these programs up for me
[9:10] um
[9:11] >> [music]
[9:11] >> had many reasons why the money from
[9:13] those programs wouldn't come through.
[9:15] They said, "Well, our accounting isn't
[9:16] done or we haven't reconciled our our
[9:19] accounts or you know, whatever." So,
[9:20] something was happening.
[9:22] And at the at the same time, uh the
[9:24] gentleman who was living on my property
[9:26] in exchange for the the carpentry,
[9:27] >> [music]
[9:28] >> and this is really very delicate for me.
[9:29] I have to be really careful. I I guess
[9:31] the best way to identify this
[9:33] is that he had he had chosen a lifestyle
[9:36] that uh not only was what our property
[9:39] was not about, it was illegal in the
[9:41] eyes of the state of New [music] Mexico
[9:43] at that time.
[9:44] And I was asking him to to change his
[9:46] [music] lifestyle. Was that delicate?
[9:48] That was good.
[9:50] So, all these things all these things
[9:52] were happening at the same time. And I
[9:54] said, "If the mirrors hold true,
[9:56] obviously there are some mirrors that
[9:57] are happening to me, what are these
[9:58] mirrors saying to me?"
[10:01] Well, I went for a walk. I couldn't do
[10:02] much else. I mean, I actually
[10:04] I I had to go for a walk that day.
[10:06] >> [music]
[10:07] >> There's a beautiful road that goes about
[10:08] 4 miles from our home down to the the
[10:10] Rio Grande
[10:11] >> [music]
[10:11] >> Gorge, a beautiful wildlife sanctuary.
[10:14] I went [snorts] for a walk down the road
[10:15] that day.
[10:16] Um there's a huge mountain it's called
[10:18] [music] Ute Peak.
[10:20] Uh
[10:21] there are a lot of stories from the Ute
[10:22] Indians about what this mountain [music]
[10:23] it's a very sacred mountain. It marks
[10:25] the end of their hunting grounds.
[10:27] And I often walk along this road in
[10:29] front of this mountain. I've written
[10:29] whole books, done entire workshops on
[10:31] this road, and I have to go home and put
[10:33] them in the in the computer. [music]
[10:35] And and I asked myself this question. I
[10:37] said, "If if these mirrors hold true,
[10:39] then there's a mirror that's happening
[10:40] here. What are these people showing
[10:41] [music] to me?"
[10:43] And I knew that I had to find a common
[10:44] thread. So,
[10:46] I began looking at what each of these
[10:48] relationships [music]
[10:49] would was demonstrating. And I I went
[10:51] through all kinds of possibilities. And
[10:53] when it was all said and done, [music]
[10:55] what I knew that in each relationship, I
[10:57] knew that there were issues of honesty,
[10:59] integrity,
[11:01] and trust were the three that were
[11:03] really the most outstanding for me.
[11:06] And so, I said to myself, "If this
[11:07] mirror holds true, if if people that are
[11:09] around me are demonstrating
[11:11] these patterns of behavior, are they
[11:14] showing me that I somehow I'm lacking in
[11:17] honesty, [music] as Jeff may have
[11:18] thought,
[11:20] or integrity, or trust?
[11:22] Is that what they're showing me?"
[11:25] And this [music] feeling welled up
[11:27] inside of me before I even
[11:30] got that
[11:30] >> [music]
[11:30] >> that sentence out of my head, and said,
[11:32] no, that's what this work is all about.
[11:35] That's precisely [music] what this work
[11:36] is all about.
[11:38] And at the same time
[11:40] there was a realization that [music] was
[11:42] such a powerful was subtle and powerful
[11:45] that came to me
[11:47] and I realized
[11:48] >> [music]
[11:49] >> that they
[11:50] were not showing me
[11:52] a mirror of what I was in [music] the
[11:54] moment
[11:55] as we always been conditioned as I've
[11:57] been conditioned to believe
[11:59] rather they were showing me a more
[12:01] subtle mirror, the mirror of what I
[12:04] judged
[12:05] in that moment.
[12:07] You know, when we think about beauty
[12:10] we often think of it as this aesthetic.
[12:13] So we look at something we piece of art
[12:14] or sculpture [music]
[12:16] mountains or the trees we say, oh,
[12:17] that's beautiful.
[12:18] I'm looking out the window at the
[12:19] beautiful mountains here in Santa Fe
[12:21] right now they they are they're
[12:22] beautiful. [music]
[12:24] The Navajo
[12:25] took this one step further. They
[12:28] embraced beauty
[12:29] >> [music]
[12:30] >> as a force of nature. Literally a force
[12:34] of nature just the way physicists today
[12:37] describe four fundamental forces. They
[12:38] [music] say gravity is a force of
[12:40] nature, the electromagnetic field
[12:42] is a force of nature, the strong and the
[12:44] weak
[12:44] >> [music]
[12:45] >> nuclear force. Those are forces of
[12:46] nature.
[12:47] The Navajo agree and they say by the
[12:49] way, there is a fifth force. It is the
[12:51] force of beauty.
[12:52] >> [music]
[12:53] >> Now I'm I'm just going to admit right
[12:54] now this is I know this is very
[12:55] different to think of beauty
[12:57] as a fundamental force. [music] I also
[13:00] want you to know that you and I are
[13:01] changed in the presence of beauty.
[13:05] When we perceive beauty
[13:08] there's a shift in the chemistry of our
[13:10] bodies. That shift sets into motion a
[13:13] cascade of events that create
[13:15] neuroplasticity, bioplasticity, genetic
[13:18] plasticity
[13:20] gives us strength, it gives us power
[13:22] to transcend what we see in our lives.
[13:25] The beauty prayer is designed to do just
[13:27] that. So, the abbreviated version, let
[13:29] me give you the three lines. Then we'll
[13:32] break it down in terms of of what each
[13:33] line [music] means.
[13:35] The three lines of beauty prayer simply
[13:37] state the beauty that I live with,
[13:41] the beauty that I live by,
[13:44] the beauty [music] upon which I base my
[13:45] life.
[13:47] The beauty that I live with,
[13:49] the beauty that I live by,
[13:51] the beauty upon which [music] I base my
[13:53] life. And what does that mean?
[13:55] The first statement
[13:57] is so powerful. The beauty I live with,
[13:59] what it says to us is that we do not
[14:01] have to create beauty
[14:04] to experience it. Beauty
[14:06] >> [music]
[14:07] >> already exists. Our job is to seek it
[14:09] out. Our job is to find it.
[14:12] Now, it's not saying that everything
[14:14] that happens in the world necessarily is
[14:17] beautiful.
[14:18] Because honestly, you and I know that's
[14:19] not true. Not everything that happens is
[14:21] beautiful.
[14:22] However, it's saying that somewhere we
[14:25] can find beauty in everything that
[14:27] happens.
[14:28] Let me give you an example of this.
[14:30] Mother Teresa is the example that always
[14:31] comes to mind for me.
[14:33] I have so much respect uh for Mother
[14:36] Teresa and her mission
[14:38] with the Sisters of Charity, uh a
[14:40] hospice organization based uh originally
[14:43] in Calcutta,
[14:44] that would go into the streets of
[14:46] Calcutta before dawn every [music] day,
[14:50] and they would find the people that had
[14:52] been cast out by their families because
[14:55] of their disease. They're called
[14:56] untouchables. [music]
[14:57] And they were cast out into the streets
[14:59] to die, and Mother Teresa and her
[15:01] Sisters of Charity, they would find
[15:03] these people. They would pick them up,
[15:04] take them back to the hospice. They
[15:06] would bathe them
[15:07] and dress them in white gowns, so that
[15:10] they were clean and had dignity in the
[15:13] last moments or hours of their [music]
[15:14] lives. No matter how much longer they
[15:17] were in this world, they were clean and
[15:20] that they had white [music] garments to
[15:22] honor them as they made the transition
[15:25] from this world to the next. What a
[15:26] powerful [music] thing.
[15:28] Well, Mother Teresa would say in those
[15:30] streets of Calcutta, they were filthy
[15:32] streets amongst the filth
[15:35] and the dung, the cow dung, and the
[15:37] stench, and the garbage,
[15:39] and the carcasses of other animals that
[15:41] were out there.
[15:43] She would see a flower
[15:44] growing in in the cow dung.
[15:47] And she'd say, "Ah, in that flower I see
[15:49] beauty
[15:50] in the streets of Calcutta."
[15:52] It was already there. She had to allow
[15:54] for its possibility.
[15:56] When we live our lives with the
[15:58] expectation [music]
[15:59] that beauty already exists everywhere,
[16:01] we are changed in the presence of that
[16:03] beauty. That's the first statement. The
[16:05] beauty I live with, the beauty that I
[16:07] live by
[16:09] is the next statement, and it's simply
[16:10] is an invitation
[16:12] for us to allow beauty to play a role
[16:15] [music] in our lives beyond being an
[16:18] aesthetic.
[16:19] To allow beauty
[16:21] to become a force in our lives. Once
[16:24] again, when we allow for that potential,
[16:28] when we expect beauty somewhere in all
[16:31] things, we begin to see the world very
[16:33] differently. The third statement says
[16:35] that. The beauty upon which I base my
[16:36] [music] life
[16:38] it is the invitation
[16:40] for beauty to become a foundation, a
[16:42] cornerstone, not on the back burner, not
[16:45] something casual that we embrace [music]
[16:48] on occasion,
[16:50] but to recognize that beauty literally
[16:52] is a force in all [music] things and to
[16:53] allow that force to play powerful role
[16:56] in our lives.
[16:58] I want to tell you from my own personal
[17:00] experience, when you
[17:02] accept beauty into your life in this
[17:04] way, [music] you are changed.
[17:06] You're changed as a person. I'll
[17:08] I'll just be
[17:10] honest. I was
[17:11] In the interest of time, I was not going
[17:13] to share this and [music] and I will.
[17:15] Uh many of you know I worked in the
[17:16] corporations as a scientist. [music] I
[17:19] worked in the universities as a
[17:20] scientist.
[17:21] >> [snorts]
[17:22] >> And I left all of that in 1990 to write
[17:25] full-time, to travel, and to research
[17:28] these ancient traditions and cultures as
[17:30] a scientist.
[17:31] And when [music] I left the
[17:33] corporations, I'd always been in big
[17:34] cities. You know, I've been in big
[17:36] beautiful cities that were convenient,
[17:38] close to work, everything I needed was
[17:40] at my fingertips.
[17:42] And I asked myself when I left,
[17:45] "I'm starting a new chapter in my life."
[17:46] is what I said.
[17:48] "Do I want to wake up every morning
[17:50] surrounded by convenience, or do I want
[17:52] to wake up every morning surrounded by
[17:54] beauty?"
[17:55] Well, I've already done the convenience
[17:57] thing. Beauty won out. And this is the
[18:00] reason that I live, uh,
[18:02] in an inconvenient place in the high
[18:04] deserts of northern New Mexico, an hour
[18:06] from the nearest grocery store, 4 hours
[18:08] from the the nearest airport, and in one
[18:11] of the most absolutely stunningly
[18:13] beautiful, raw, magnificent,
[18:16] natural environments that I could ever
[18:18] find because [music] it makes my soul
[18:20] sing. It's where I'm at my best. So,
[18:22] beauty has always played a powerful role
[18:24] in my life, and for that reason I'm
[18:26] drawn to the beauty prayer.
[18:28] In an urban environment,
[18:30] >> [music]
[18:30] >> in a sophisticated, technological world
[18:33] of the 21st century, what I'm inviting
[18:35] you to do is simply use what you came
[18:38] into this world with. This
[18:40] this technology right here without the
[18:42] bowls, the bells, the chimes, the
[18:43] incense, [music] and the gongs. You can
[18:44] use that, but you don't need it.
[18:47] We're still trying to do the same thing.
[18:48] We're trying to get to the feeling.
[18:50] Trying to get to that feeling.
[18:52] So, that's what step number three is all
[18:55] about. Now,
[18:56] how do you know when you're in that
[18:58] feeling? This is where This is a lot of
[18:59] fun.
[19:00] >> [music]
[19:01] >> The Institute of HeartMath, as
[19:03] technology, as scientists, they asked
[19:05] the same question, and they developed
[19:07] some very sophisticated software
[19:10] behind the scenes with a very simple
[19:12] user interface
[19:13] >> [music]
[19:14] >> in the foreground. It looks simple,
[19:15] what's happening behind very complex
[19:17] algorithms
[19:18] to help us do just this. The screens
[19:21] look something like this.
[19:23] When we use an LED sensor
[19:27] that can either be hooked up to the ear,
[19:28] to the finger, or worn as a a chest uh
[19:33] sensor
[19:34] underneath your clothing, you can do 24
[19:36] hours or longer
[19:38] so that you can record every every
[19:40] moment uh and have it analyzed of how
[19:42] your heart is functioning
[19:44] under different circumstances.
[19:46] So, you have all of those options.
[19:48] When those sensors are talking to the
[19:50] computer
[19:53] we're looking at things like this. This
[19:54] is the the heart rate variability that
[19:57] you're seeing right here.
[20:00] When your heart beats you're all used to
[20:03] seeing to-toom
[20:05] to-toom to-toom the heartbeat.
[20:07] It's called a QRS complex. The R is the
[20:11] big peak that you see.
[20:13] And the time from one big peak to the
[20:15] next to the next to the next varies with
[20:17] every heartbeat. It is called heart rate
[20:20] variability, HRV.
[20:23] Talk a lot about this later today.
[20:25] But I want you know it's being measured
[20:27] and that heart rate variability is what
[20:29] you're seeing up here on top.
[20:32] But what I really want you to see is
[20:33] this little graph right here. You see
[20:35] those
[20:36] those three. Can you all see that from
[20:37] where you are and on your monitors in
[20:38] the back?
[20:40] This graph will tell you about the
[20:42] coherence between the heart and the
[20:43] brain.
[20:45] And it's broken into three levels, low,
[20:47] medium, and high. Low is red, medium is
[20:49] blue, green is high.
[20:52] And there are numbers
[20:54] at the bottom of each graph.
[20:56] Those three numbers will always add up
[20:58] to 100% because you cannot have more
[21:01] than 100%.
[21:04] So, it might be maybe the red will be
[21:06] zero and the blue will be 50, and the
[21:08] green will be 50. That's 100% or maybe
[21:11] the red will be 50 and the blue will be
[21:14] zero and the green
[21:15] will be 50%.
[21:17] Whatever it is, that is going to tell us
[21:20] the quality of the coherence during that
[21:23] time.
[21:25] The optimum coherence is in the green.
[21:27] If you have 100% green, you are in
[21:29] optimum coherence.
[21:31] But what I want to say to you before we
[21:33] do this
[21:34] is not a contest, number one.
[21:37] And number two, most of us, most of the
[21:40] day, throughout most of your day, are in
[21:43] 100% red low coherence.
[21:47] Can you tell me why that would be? Why?
[21:49] [music]
[21:49] If you're driving your car
[21:51] down I-25 or across the 36 diagonal
[21:55] here,
[21:56] if you're driving, why would you
[21:58] typically, if we were to measure you
[21:59] while you're driving, why would you be
[22:01] in low coherence?
[22:06] I don't
[22:07] Oh, this is why. Because your focus is
[22:10] on the outer world where it should be
[22:13] and you're not focused in your heart.
[22:14] You don't want to be in la-la land,
[22:17] you know, focusing here.
[22:19] Definitely don't want to close your eyes
[22:22] while you're driving on that 36
[22:23] diagonal.
[22:25] The book was sent out for review, the
[22:26] God Code book went out for review. It
[22:27] went to clergy and Catholic uh
[22:30] traditions, um Protestant traditions,
[22:33] Native American, Islamic, uh Mormon
[22:35] Church, um
[22:38] uh across the board, and they are very
[22:40] different from one another, obviously.
[22:42] All the feedback that we got
[22:45] was that they believed that this work
[22:46] [music] supported their tradition.
[22:49] And to me, that was uh a beautiful sign
[22:52] that we've cut through the distortions
[22:54] to something that's true. The bottom
[22:56] line is that for all those traditions,
[22:59] we are here on purpose and we're part of
[23:00] a greater existence.
[23:01] >> [music]
[23:02] >> And that's what this message says. The
[23:04] details that have developed over the
[23:07] centuries and the distortions, we we
[23:08] look past those.
[23:10] Uh yes, I've seen
[23:11] >> [music]
[23:11] >> uh I've seen a change. It's so huge.
[23:15] Uh
[23:16] sometimes it takes a while to sink in.
[23:18] I was with um
[23:20] some very serious European audiences,
[23:22] really serious note-taking audiences.
[23:24] Good people, really great people.
[23:27] Uh I like to take my programs overseas
[23:29] first.
[23:30] >> [music]
[23:30] >> And uh and uh what I know is if I can
[23:32] express an idea clearly
[23:34] to a foreign audience through a
[23:35] translator,
[23:36] >> [music]
[23:36] >> then I'll probably be able to to do it
[23:38] uh well with uh with our our friends
[23:40] here at home.
[23:43] And so I ask question. I said, "What
[23:44] would it mean
[23:46] to you?
[23:47] What would it mean [music] to find a
[23:49] message encoded into the cells of your
[23:51] body?" And they were quiet just for a
[23:53] moment and
[23:54] >> [music]
[23:54] >> and the Europeans said
[23:56] they said, "Well, Greg, it'd depend on
[23:58] what the message says." And what I'm I'm
[24:00] saying we haven't got that far yet. I'm
[24:01] just asking you, what would it mean if
[24:02] it was there? Not what does it say, but
[24:05] the fact that the message is there, what
[24:06] would that mean?
[24:07] It's it's such a huge concept.
[24:10] >> [music]
[24:10] >> And the idea of somehow creating letters
[24:14] of the alphabet out of the sticky gooey
[24:15] protoplasmic stuff that we're
[24:18] conditioned to think of as life
[24:20] >> [music]
[24:20] >> is is a disconnect for a lot of people.
[24:23] Uh but it's all based in in numbers.
[24:26] Um Western science, our science today,
[24:28] describes all life
[24:30] as the elements of carbon, uh hydrogen,
[24:32] nitrogen, and oxygen. Those are words.
[24:35] And there are numbers that go with
[24:36] those.
[24:38] Uh
[24:39] that we can describe on the periodic
[24:41] table. Ancient texts did exactly the
[24:43] same thing. They described life through
[24:45] words.
[24:47] And what we know now is for every one of
[24:49] those letters
[24:50] in the ancient alphabets, in every
[24:52] alphabet, there's a very precise
[24:54] >> [music]
[24:54] >> numeric link.
[24:56] Uh and those numbers are are what match
[24:59] the
[25:00] this the scientific way of knowing.
[25:02] Uh, and if it sounds complex, [music]
[25:04] it's my inability to make it very simple
[25:06] because it's so eloquent and it's so
[25:08] beautiful and it's so simple and it's
[25:10] right there.
[25:11] Uh, and all we do is follow the
[25:12] instructions in a 5,000 year old text
[25:15] use our science and some computers
[25:18] and there's a message in the DNA
[25:20] >> [music]
[25:20] >> and we'll see where it goes from there.
[25:22] When I was an engineer, what I found was
[25:23] that engineers
[25:26] uh,
[25:28] felt
[25:29] um, that they were left out of the
[25:30] conversation of spirituality.
[25:33] And uh, because the language made no
[25:34] sense to an engineer. And I wrote a
[25:36] little book, it was a workbook called
[25:38] the Awakening to Zero Point
[25:39] >> [music]
[25:40] >> uh, to to in engineering terms to
[25:42] describe what's happening what I saw
[25:44] happening in late 1980s.
[25:46] Um,
[25:47] and it
[25:48] >> [music]
[25:48] >> caught on and was Xeroxed copied and
[25:50] ended up becoming its own book and its
[25:52] own phenomenon.
[25:53] Uh, it and it described what we knew
[25:55] then and uh, for the most part it's
[25:57] pretty accurate. There's some things
[25:58] that have changed. The bottom line
[26:01] was that within the changes that we are
[26:03] all feeling in our lives
[26:06] as we look for reasons say, "What in the
[26:08] world is going on? You know, what's
[26:09] happening with the weather?
[26:11] Um, what's happening? Well, it seems
[26:12] like everybody's going to war. Um,
[26:14] what's happening with my body? I don't
[26:15] sleep the way I used to or
[26:17] >> [music]
[26:18] >> my relationships have gotten really
[26:20] intense."
[26:21] As different as those all seem from one
[26:22] another, they're all related. What we
[26:24] know is that uh, technically [music]
[26:26] and when I was a geologist, I could see
[26:28] this happening.
[26:30] Uh, the magnetic field of the earth is
[26:32] in decline. It has [music] been for the
[26:34] last 2,000 years. It looks like the a
[26:36] chart on the the New York Stock Exchange
[26:39] on a bad day.
[26:40] >> [laughter]
[26:41] >> Uh, it's it's started declining, it's
[26:43] never gone back.
[26:44] >> [music]
[26:44] >> Uh, so we're at the lowest point in
[26:46] planetary magnetics now that we have
[26:48] been in the last 2,000 years.
[26:51] We have seen Earth
[26:54] have this experience
[26:56] >> [music]
[26:56] >> in the geologic record. We've seen this
[26:58] happen at least 14 times in the last 4
[27:01] and 1/2 million years.
[27:02] >> [music]
[27:03] >> And every time it happens, it it
[27:05] precedes uh
[27:07] a flip a 180° reversal of the magnetic
[27:10] field. So, they get weaker and weak
[27:12] magnetic fields decline, they get weaker
[27:14] and weaker and weaker
[27:15] >> [music]
[27:15] >> until they drop to zero
[27:17] for a a period of a few days, it looks
[27:19] like. Uh
[27:21] then the field reverses and what used to
[27:22] be North [music] Pole is South, South
[27:24] Pole becomes North, and the fields begin
[27:26] to get stronger and stronger and
[27:27] stronger.
[27:28] The last time this happened uh looked
[27:29] like it was around maybe 9 9 to 11,000
[27:32] years ago.
[27:33] Uh
[27:34] >> [music]
[27:34] >> at that time we saw the melting of the
[27:35] last Ice Age. A lot of uh people believe
[27:38] Atlantis was here during that time. As
[27:40] the ice melted,
[27:42] oceans rose, and that's why we don't see
[27:43] the continent of Atlantis anymore.
[27:45] Um there's a whole program we could do
[27:47] on that.
[27:48] What we're about to discuss here, this
[27:50] is the buzz, it's the hot topic, it's
[27:52] the controversy, it's the cool stuff
[27:54] that everybody is talking about at the
[27:56] water cooler in the back room of the
[27:59] physics departments of the major
[28:01] university, mainstream
[28:03] physicists and scientists. These aren't
[28:05] old guys and girls out on the park bench
[28:07] feeding the pigeons wondering what the
[28:08] next
[28:09] the next hot topic is going to be. And
[28:11] it's sort of underground because it is
[28:14] so out there
[28:15] yet it makes so much sense.
[28:18] You ready? [music]
[28:19] Yes. Okay, here's the question. This is
[28:21] the question that's being asked. And
[28:23] just work with me through this. The The
[28:25] very serious question
[28:27] that physicists are asking is about the
[28:30] nature of our universe
[28:32] and our reality. And it's going to sound
[28:34] like a philosophical question, except it
[28:37] gets very real very quickly. They're
[28:39] asking this question:
[28:42] Is the universe that we're living in a
[28:44] virtual reality?
[28:48] Is the universe that we're living in a
[28:51] simulation
[28:53] that has been created for us to have an
[28:56] experience here
[28:58] that we cannot have anywhere else.
[28:59] Sounds like a movie, doesn't it? Where
[29:01] do you think that movie came from?
[29:04] Is the universe really a very ancient
[29:07] virtual reality? Now, we're not talking
[29:09] about who or what or why. I mean, all
[29:11] kinds of questions come up. The question
[29:13] they're asking is it possible that you
[29:15] and I could be living in a world that's
[29:16] not so real. Let me ask, what have the
[29:18] Aboriginal traditions said to us for
[29:20] about 20,000 years? What do they say
[29:23] about this world?
[29:25] Is this the real world?
[29:27] >> [music]
[29:27] >> No, they say it's a dream world. Where's
[29:28] the real world?
[29:30] Somewhere else, right?
[29:31] Christian traditions, what do they say
[29:33] about this world? We're here for a
[29:34] while, but where's the real cool sweet
[29:36] place to be?
[29:38] Where is it?
[29:40] Hereafter, heaven, somewhere else.
[29:42] Native American traditions say the same
[29:44] thing. So, this idea is not so bizarre
[29:46] from the perspective of many ancient
[29:48] traditions. Are we living a simulation?
[29:51] Okay, well, my man brain, when I began
[29:53] to see how seriously scientists are
[29:55] taking this, I wanted to to to see I
[29:58] mean, I I kind of know what a simulation
[29:59] is, but I looked it up. I wanted to see
[30:01] what a simulation is for. Look at this.
[30:04] A simulation, what is the purpose of a
[30:06] simulation? It's to master something
[30:08] that is not known in a safe environment
[30:12] so that you understand how to use that
[30:15] before you get to the place where you
[30:16] really need it.
[30:19] Is it possible that you and I are living
[30:21] a reality here
[30:23] learning about something, and we'll talk
[30:26] about what that something is.
[30:27] Are we learning something here in a
[30:29] relatively safe environment given a
[30:32] period of time to do it because we're
[30:34] going to need it somewhere else?
[30:36] You think that's a possibility? How does
[30:37] that feel to you? I mean, it's a bizarre
[30:39] concept, but how does it feel?
[30:42] Does it feel like maybe where have your
[30:44] spiritual and religious traditions said
[30:46] you're going to go when you when you
[30:47] finish here?
[30:50] Someplace else, right?
[30:51] >> [music]
[30:52] >> And when you go there, the rules may be
[30:53] a little bit different.
[30:55] I began to ask the question if we're
[30:57] here mastering an unknown, maybe how to
[31:00] use the language of the heart to create
[31:03] inner reality,
[31:05] can you imagine what would happen if
[31:07] every thought, feeling, and emotion you
[31:08] had in every instant became manifest
[31:10] immediately? Wouldn't that be pretty
[31:11] interesting world? Can you imagine if
[31:13] every passing thought that you had
[31:15] became a reality, how confusing your
[31:17] life and your world would be?
[31:19] Is it possible that we're here learning
[31:20] about the power of thought, feeling, and
[31:22] emotion, isolating the possibilities,
[31:25] choosing what we would like to
[31:27] experience, and learning to breathe life
[31:29] into that to manifest it in a physical
[31:31] reality, and learn it really well here
[31:33] because we're going to need it when we
[31:34] get someplace else? Do you think that's
[31:36] possible?
[31:37] Maybe.
[31:38] Maybe. Well, I began to ask the question
[31:40] if it's true, who would make such a
[31:42] simulation? And the next question is,
[31:45] who would benefit from it? Who would
[31:46] benefit from that?
[31:48] You answer me. Who would benefit?
[31:50] >> [music]
[31:51] >> Is it possible that you and I have
[31:52] created the simulation
[31:54] so that we can learn something here that
[31:56] we're going to need somewhere else?
[31:58] You know that you're not even in this
[32:00] room, right?
[32:02] You know
[32:04] that there's a part of you that's
[32:05] somewhere else. You communicate with it
[32:07] all the time, whether you call it a
[32:08] higher self
[32:09] or an over self or whatever it is.
[32:12] >> [music]
[32:12] >> There's a part of you that's outside of
[32:13] this simulation somewhere, whatever it
[32:15] is. How's this concept feel to you?
[32:17] Is it a bizarre concept? Does it make
[32:19] sense?
[32:20] Okay, let's take it a little further.
[32:22] This is a quote from uh 2006 Templeton
[32:26] Award Laureate John Barrow from Oxford
[32:28] University. Quote, he says, "It's long
[32:31] been recognized that technological
[32:32] civilizations only a little bit more
[32:35] advanced than ours will have the
[32:37] capacity to simulate entire universes in
[32:41] which entities can emerge and
[32:42] communicate with one another.
[32:44] >> [music]
[32:44] >> He's asking the question, has it already
[32:46] happened?
[32:47] Has civilization already advanced to the
[32:49] point
[32:50] >> [music]
[32:50] >> where this is happening and we are
[32:52] living in the result of that?
[32:55] Does it sound like we just took a big
[32:56] step out there somewhere?
[32:57] >> [music]
[32:58] >> Well, signs of a virtual reality. How
[33:01] would you know? Would you even know if
[33:02] you were in a simulation? Would you know
[33:04] it? I mean, the whole idea is if you if
[33:05] you step into a flight simulator, the
[33:07] whole idea is it's so real, you feel
[33:08] like you're in the cockpit of a plane,
[33:10] right? Or I worked for Martin Marietta,
[33:12] we put probes on Mars. We built
[33:14] simulations for the Martian surface. In
[33:16] there, it's supposed to be like the real
[33:18] thing. I believe that the world we're in
[33:20] is as real as we make it. What our
[33:22] science is showing us is that reality is
[33:24] malleable, it's soft, we can [music]
[33:26] change it. And we change it through
[33:28] something that we are choosing to do
[33:30] inside of our bodies.
[33:32] >> [music]
[33:32] >> So, whether you're talking about the
[33:33] abundance in your checkbook or the
[33:34] healing of your body or the peace
[33:35] between nations, all of that is up for
[33:38] grabs because you and I are choosing it
[33:40] right now and we're waking up to the
[33:43] fact
[33:43] >> [music]
[33:43] >> that we have the power to make those
[33:45] choices. What I'd like to do now is
[33:48] share with you a technique
[33:50] a technique [music] so that you can tap
[33:52] these potentials in your life when you
[33:55] choose to do so.
[33:57] What scientists know is that every
[33:58] moment of every day, as I mentioned,
[33:59] there's this conversation. It's a
[34:01] conversation between the heart and the
[34:02] brain.
[34:03] >> [music]
[34:03] >> The heart is speaking to the brain and
[34:06] the quality of the conversation that
[34:08] comes from the heart and the brain
[34:10] >> [music]
[34:10] >> tells the brain what chemistry to
[34:11] release into the body.
[34:13] So, for example, when we're feeling
[34:15] >> [music]
[34:16] >> emotions that we would typically
[34:17] consider negative,
[34:19] and I don't like to characterize
[34:22] emotions as negative or [music]
[34:23] positive, but I'm doing this so that you
[34:24] you get a sense of what we're doing
[34:25] here.
[34:26] When we have emotions
[34:28] >> [music]
[34:28] >> such as anger, hate, jealousy, rage
[34:31] what you're seeing on your screen is an
[34:33] actual printout of the quality of the
[34:37] signal from the heart to the brain. And
[34:39] you can see it's very chaotic. [music]
[34:40] It's a very jagged signal. It's a rough
[34:42] signal. And it's that chaotic, jagged,
[34:45] rough [music] signal that signals
[34:48] chaotic chemistry in your brain. This is
[34:51] the kind of chemistry [music]
[34:52] that tells us that we need high amounts
[34:54] of adrenaline, high amounts of cortisol,
[34:57] [music] the stress hormones, to respond
[34:59] to something quickly in life. That's a
[35:00] good thing for a few moments.
[35:02] >> [music]
[35:02] >> You don't want to live your life day in
[35:04] and day out like this.
[35:06] The next image that you're seeing is
[35:08] what happens when we can shift
[35:11] our heart-based [music]
[35:12] experiences from things like
[35:14] frustration, anger, hate, jealousy, and
[35:16] rage to things like
[35:19] >> [music]
[35:19] >> compassion, care for anything, gratitude
[35:24] for anything, appreciation for anything.
[35:27] And when we can do that, very, very
[35:29] quickly, this signal from the heart to
[35:31] the brain shifts. And you're seeing
[35:33] [music] that becomes a very rhythmic,
[35:36] very even, very coherent signal. [music]
[35:39] This is what it's called. And it sends a
[35:41] different signal to our brain, and our
[35:43] brain begins to release [music] a
[35:44] different chemistry into our bodies.
[35:46] Now, I'm saying this to you now because
[35:48] I want you to know that your brain
[35:50] cannot do both things at the same time.
[35:51] It can only do one or the other.
[35:53] So, when you are in co-coherent feeling,
[35:56] in that even rhythm,
[35:57] >> [music]
[35:57] >> that's what awakens your brain to send
[36:00] powerful healing chemistry, powerful
[36:02] immune response, powerful anti-aging
[36:05] hormones. [music]
[36:06] Awakens your senses, turns on the gamma.
[36:09] Okay? And when you are in the rough,
[36:11] jagged signal, that's fight or flight.
[36:14] Your body and your brain are saying,
[36:15] [music]
[36:16] "Something important is happening. We've
[36:18] got to run or fight. So, we don't have
[36:20] time for [music] healing. We don't have
[36:22] time for an immune response. We don't
[36:24] have time for anti-aging hormones.
[36:26] They're not important."
[36:27] >> [music]
[36:27] >> So, it shuts off those functions
[36:30] in preferential treatment of this fight
[36:34] or flight.
[36:35] So, for this reason, you can see why
[36:38] fight or fight or flight's good
[36:39] momentarily. Don't want Don't want
[36:41] long-term.
[36:43] I think intuitively, most of us
[36:46] are on board with the fact that there's
[36:48] a field.
[36:49] A field of energy that underlies all of
[36:51] creation. There's a field that connects
[36:53] all things.
[36:54] >> example, the scientists said, "Okay,
[36:56] this Higgs boson
[36:58] would be created by the disturbance of
[37:01] the quantum field, and it will create a
[37:03] particle with a mass of 125 giga
[37:06] electron volts."
[37:08] All right?
[37:09] Our brains, typically, are not set up to
[37:13] remember very specific kinds of data
[37:15] like that.
[37:16] But that data is what tells the
[37:17] scientist there's a field out there.
[37:20] On the other hand, in the Hopi tradition
[37:22] that we spoke about earlier in this
[37:24] course,
[37:25] for thousands of years, they've always
[37:27] known there's a field out there.
[37:29] But they didn't talk about 125 giga
[37:31] electron volt Higgs bosons to prove the
[37:34] field.
[37:35] They told the story.
[37:37] In the Hopi tradition,
[37:39] in the beginning of this [music] cycle
[37:42] of existence, Spider Grandmother,
[37:46] Spider Grandmother, the ancestral
[37:48] feminine,
[37:49] she emerged from deep within the Earth.
[37:52] And Spider Grandmother began to weave
[37:54] the web of creation upon which her
[37:56] children would live their lives and
[37:59] create their children to live their
[38:01] lives.
[38:02] So, it's a very, very different feeling.
[38:05] It's not about specific numbers, but it
[38:07] conveys an idea. Spider Grandmother wove
[38:09] the web of creation. In recent years,
[38:12] scientists have discovered caves that
[38:14] have been kept hidden from the general
[38:17] public by the Australian people
[38:19] >> [music]
[38:19] >> because these caves
[38:21] preserve the wisdom
[38:24] of their origins, where they come from,
[38:27] who they are,
[38:29] uh how they function in the world.
[38:31] >> [music]
[38:31] >> And the dates on these caves go back
[38:34] over 28,000
[38:37] years before present. The Australian
[38:39] Aboriginals have a continuous record of
[38:43] their lineage, of their culture
[38:45] extending at least 28,000 years and
[38:48] possibly older according to some
[38:49] estimates.
[38:50] >> [music]
[38:50] >> Uh another example is in in Africa, the
[38:53] Dogon tribe. I'm really fascinated by
[38:56] the Dogons. When the scientists began to
[38:59] explore the the history and the culture
[39:01] of the Dogon tribe,
[39:03] there were dances that they were
[39:04] performing [music]
[39:06] that were not casual dances. They didn't
[39:09] have a random placement of their feet on
[39:11] the earth when they when they did these
[39:13] dances. Each dance was so precise,
[39:17] so specific, and the children were
[39:19] trained from the time they were very
[39:21] young to mimic the footsteps of their
[39:24] parents as they were performing these
[39:26] dances. And the scientists said, "Okay,
[39:28] why are these dances so specific? What
[39:31] is it about the placement of the feet
[39:33] that makes them so special?"
[39:34] Well, they
[39:36] could not verify what the Dogon elders
[39:39] told them early in the 20th century
[39:42] until the astronomers and the satellites
[39:44] late [music] in the 20th century were
[39:46] able to do so. Here's what the Dogon
[39:48] said.
[39:49] They said, "When we step each step of
[39:53] these dances, we are tracing the orbit
[39:56] of the dark star, the hidden star that
[40:00] we come from
[40:02] in the area that we now know is Sirius
[40:04] in the Sirius star system."
[40:06] Well, early in the 20th century, there
[40:08] was only [music] one Sirius star. It's
[40:10] called Sirius A, very bright star in the
[40:12] sky. You can see it's the brightest
[40:13] star.
[40:14] Not the brightest planet, but it's the
[40:16] brightest star. Venus is the brightest
[40:17] planet. Sirius will be the the brightest
[40:20] star. If you look at the belt of Orion,
[40:21] wherever you are,
[40:22] >> [music]
[40:22] >> and then if you go from the belt of
[40:24] Orion, take a left and go down, the
[40:27] brightest star you see in the sky, that
[40:28] will be Sirius A. We knew about that in
[40:31] the 20th century. Here's the deal.
[40:33] The Dogon said, "No, there's another
[40:35] star, a twin star, a dark star
[40:39] >> [music]
[40:39] >> that is our origin. This is where we
[40:41] come from." And the scientists said,
[40:43] "No, there's not. There's There's no
[40:44] dark star there."
[40:46] Late in the 20th century, the telescopes
[40:48] were able to find Sirius B, and Sirius
[40:50] [music] B, the orbit was exactly exactly
[40:54] the orbit that was being traced out by
[40:56] the footsteps in the dance of the Dogon
[40:58] people.
[41:01] The gentleman that had invited me to
[41:03] work with him wanted to set up these
[41:05] these seminars.
[41:07] The very first moment we met, something
[41:09] interesting happened. We met in the home
[41:11] of a mutual friend
[41:13] in in Northern California.
[41:15] And the first moment we met, I never
[41:16] seen him before, I'd spoken with him on
[41:18] the phone.
[41:19] And our eyes met on the landing of um
[41:22] >> [music]
[41:22] >> of this house,
[41:24] and I said something to him that I I
[41:25] seldom rarely will ask anyone upon first
[41:28] meeting him, and I simply said, "When's
[41:29] your birthday?"
[41:31] And he said, "Well, my birthday is June
[41:33] 28th, 1954." [music]
[41:36] And I said, "Wow, that's my birthday.
[41:37] The exact month, the exact day, and the
[41:39] exact year."
[41:41] I'm a Cancerian. If you know much about
[41:43] Cancerians, you know what Cancerians uh
[41:45] live in a world of feeling. [music]
[41:46] Maybe that's why we're exploring
[41:48] feelings this weekend.
[41:49] Uh and I'm a double Cancerian, which
[41:51] means double feeling.
[41:53] >> [music]
[41:53] >> And depending on how you run the charts,
[41:55] I've got five or six planets in the 12th
[41:57] house that are all in Cancer.
[42:00] So, my world is a very feeling [music]
[42:02] world.
[42:04] And my path has been to reconcile that
[42:05] feeling world with the academics and the
[42:08] hard sciences [music]
[42:09] through uh through the uh the corporate
[42:11] and the uh
[42:13] um
[42:14] and the academic academic world. And I
[42:17] looked at him and I said, "Well, you
[42:18] must have had the same experiences
[42:19] [music] then." Another Cancerian male.
[42:21] What a great person to to share this
[42:24] business with.
[42:25] And he said something to me in that
[42:27] moment.
[42:28] >> [music]
[42:28] >> He looked me directly in the eyes and he
[42:30] said something to me and I discounted
[42:32] it.
[42:34] I used my logic and what he said to me
[42:35] was, "Huh, I'm your evil [music] twin."
[42:40] And I discounted he told me in that
[42:41] moment and I discounted it.
[42:43] Because my logic said, "Oh, well, he's
[42:45] just making a joke." Although I had a
[42:47] feeling
[42:49] in here.
[42:50] The moment the gentleman moved onto my
[42:52] property
[42:53] to caretake for me in [music] exchange
[42:55] for him living there,
[42:56] I had a feeling about him being there
[42:59] and I discounted that feeling through my
[43:00] [music] logic. I said, "Oh, Greg, you
[43:01] don't really even know that man." Well,
[43:02] that's precisely the point.
[43:04] You don't even know him. Why would you
[43:06] judge him? The moment
[43:08] that I began uh spending [music] serious
[43:12] time with the potentially romantic
[43:14] relationship in my life, I had a
[43:15] feeling.
[43:17] And my logic said, "Oh, that's the
[43:19] feeling that you had from the last time
[43:21] you got [music] hurt."
[43:23] So, let's give this one a chance.
[43:25] And the reason I'm sharing this with you
[43:27] now is because in each of these there
[43:28] was a feeling that [music] told me right
[43:30] up front
[43:31] and there was more than one lesson that
[43:33] happened here and I've shared this with
[43:35] other people and it's it's uh been a
[43:36] powerful trigger for them. It's a lesson
[43:38] I didn't care for at the time.
[43:41] The week that I recognized
[43:44] the pattern of judgment,
[43:47] the week that I recognized that each
[43:49] [music] of these people was masterfully
[43:51] mirroring for me the things that I
[43:52] judged in life,
[43:55] every other relationship
[43:57] that was held in place by judgment began
[44:01] to disappear.
[44:02] There's a cascading effect [music] and I
[44:04] share this with you now because I know
[44:06] that it works this way. If you are
[44:08] experiencing a pattern in one place in
[44:10] your life,
[44:11] it'll show up in other places in your
[44:13] life.
[44:14] And once it is healed, once it's
[44:16] reconciled in one place, it is healed
[44:19] everywhere.
[44:20] Simultaneously, [music] because we are
[44:22] holographic in nature. Our consciousness
[44:24] works that way.
[44:26] It is mirrored on many, many different
[44:27] levels.
[44:30] I said, "What's in these books?" And he
[44:31] said, "I'd like for you to talk to
[44:33] somebody else to answer that question."
[44:36] So, they took us to this monastery down
[44:37] the road to meet with the abbot of the
[44:40] monastery. The abbot is the elder
[44:43] of the monastery.
[44:44] >> [music]
[44:45] >> They don't get a lot of company here, so
[44:46] this was a big deal.
[44:48] Uh and all the monks at this particular
[44:50] place, even they don't get to see their
[44:51] abbot sometimes. So,
[44:53] >> [music]
[44:53] >> they were giving us a private audience.
[44:54] They put on their robes. They were
[44:56] leading us in a very solemn procession
[44:59] up to the place where we were going to
[45:00] meet with this abbot.
[45:03] I had never met this abbot before.
[45:06] I had met the previous abbot
[45:08] who had died unexpectedly.
[45:10] And the man I'm about to meet, that
[45:12] you're going to see, is the new the new
[45:14] younger abbot, only in his 80s.
[45:18] >> [laughter]
[45:19] >> And here he is, right here. This is
[45:20] beautiful man, right here.
[45:22] So, this was we had to go through the
[45:24] formality of a greeting, and they told
[45:25] me they said, "Whatever you do, don't
[45:26] look up. Don't look into his eyes."
[45:29] Well,
[45:34] I had to peek. I you know, I consciously
[45:38] consciously I knew I wasn't going to,
[45:40] but this it just I just it was an
[45:41] automatic thing. But, it was okay. He
[45:43] smiled, and it was good.
[45:45] But, then they they let me ask him some
[45:46] questions. Okay, and I asked him I was
[45:49] writing the book The Divine Matrix when
[45:50] this picture was taken. And I asked him
[45:52] the question. I said, "In your
[45:53] tradition, what is the force that holds
[45:55] everything in the universe together?
[45:57] What connects everything?"
[45:58] And he went off with a translator, and
[46:00] they had this whole conversation. I
[46:01] could have left that monastery, had a
[46:03] cup of yak butter tea, and come back by
[46:05] the time they had this whole thing going
[46:06] on. And he came back and he answered me
[46:08] with one word.
[46:11] I said, "What is the force that connects
[46:13] everything in the universe?" He said,
[46:14] "Compassion."
[46:16] And I said, "Well, wait a minute."
[46:18] Through the translator, I said, "Is
[46:20] compassion a feeling that we have in our
[46:22] bodies, or is it a force of nature that
[46:25] connects everything in the universe?"
[46:28] And he went off and had a conversation
[46:30] with my translator.
[46:31] And he came back and answered me with
[46:33] one word. I thought it was a
[46:34] mistranslation. I asked him to do it
[46:35] again. He came back with the same word.
[46:38] Is compassion a feeling in our bodies,
[46:40] or a force in the universe? He said,
[46:41] "Yes."
[46:45] This is a very deep, very powerful
[46:47] teaching.
[46:48] Because this beautiful man at 17,000 ft
[46:51] above sea level, halfway around the
[46:52] world in this old monastery, is telling
[46:54] us,
[46:55] >> [music]
[46:55] >> as he has been taught in his tradition
[46:57] for centuries,
[46:59] that you and I are born with the ability
[47:00] to create the experience inside of our
[47:02] body, specifically in our heart, that
[47:04] literally, not metaphorically, literally
[47:07] attunes us to the very stuff that
[47:10] connects everything in this universe.
[47:12] [music]
[47:13] And what we do with it after we get
[47:14] there is up to us.
[47:19] Well,
[47:20] about 5 years earlier, I had met this
[47:22] man. This was the previous abbot of the
[47:24] monastery.
[47:25] >> [music]
[47:26] >> This is the man that mysteriously died.
[47:28] We don't know what happened to him.
[47:30] And this is the man that I had asked the
[47:32] first question to when I went there.
[47:33] Isn't he a beautiful man?
[47:36] I asked him I don't know how old he is.
[47:37] They never They wouldn't tell us. I
[47:39] asked a number of times and they just
[47:40] giggled.
[47:42] >> [laughter]
[47:44] >> Because time means nothing to Tibetans.
[47:47] So, it was this man, I guess 600, maybe,
[47:49] I don't know.
[47:53] It was this man I asked the question. I
[47:54] said, "When we see
[47:56] your prayers for 14, 16, 18 hours a day.
[48:00] When we see the mudras and the mantras
[48:02] and the bells and the bowls and the
[48:03] gongs and the chimes and the incense,
[48:04] and we see [music]
[48:05] your prayers on the outside, I said,
[48:08] "What are you doing on the inside?" How
[48:10] When we see a miraculous healing, how
[48:12] did you do that? This is the value of
[48:14] being with a living culture. If you walk
[48:16] into an Egyptian temple, you see some
[48:17] cool hieroglyphs that somebody made a
[48:20] long time ago, but those people are
[48:21] gone. We can't ask them.
[48:23] And we may not even know how to read
[48:24] those hieroglyphs correctly.
[48:26] But these are living cultures, and you
[48:28] can ask them again and again until
[48:30] either they answer you or they get tired
[48:31] of the conversation and kick you out of
[48:32] the monastery.
[48:35] I said, "When we see your prayers on the
[48:37] outside, what's happening on the
[48:38] inside?" And this is the man that told
[48:40] me, "You've never seen our prayers
[48:42] because a prayer cannot be seen."
[48:43] [music]
[48:44] He said, "What you see are the things
[48:46] that we do to create the feeling in our
[48:48] bodies." He said, "The feeling is the
[48:50] prayer."
[48:51] >> [music]
[48:51] >> Feeling is the prayer.
[48:53] Then he asked how we do it in our
[48:55] culture.
[48:56] And I began to realize that when you and
[48:58] I lost
[49:00] this part of our biblical texts in the
[49:02] 4th century, 1,700 years ago, the very
[49:05] books that were edited and removed from
[49:08] our spiritual traditions are the ones
[49:10] that tell us of the power of human
[49:11] emotion and heart-based experience to
[49:14] move this world, to heal our bodies, and
[49:17] to create that peace. And we know that
[49:19] because those texts are now being
[49:20] recovered in the Dead Sea Scrolls, in
[49:23] the Nag Hammadi libraries, in the Coptic
[49:25] libraries.
[49:27] Feeling is the prayer.
[49:31] So, maybe it's no accident that the
[49:33] movie Arrival has arrived [music]
[49:35] in our world precisely when it has
[49:38] arrived in our world. Step back and look
[49:40] at the big picture. We're living a time
[49:42] of extremes.
[49:44] We're living a time, unlike any time in
[49:46] 5,000 years of recorded human history,
[49:49] when huge natural cycles that include
[49:52] the cycles of climate, the cycles
[49:53] [music] of economy,
[49:55] the cycles of human conflict. Each of
[49:57] them are converging
[50:00] at the same time into an experience that
[50:04] we've never seen before and at the same
[50:06] time that has happened, the people of
[50:08] the world are being pushed together
[50:10] across the boundaries that we've known
[50:13] in the past of oceans, of mountains, the
[50:15] borders between countries. People of the
[50:18] world are coming together
[50:20] >> [music]
[50:20] >> and we're learning what it means to live
[50:22] amidst different cultures, different
[50:24] religions, different ways of thinking,
[50:26] different ways of treating men,
[50:28] different ways of treating women.
[50:30] All of this is happening within the
[50:32] context of the big picture of these
[50:33] converging cycles. At the very time when
[50:37] [music] our differences have led to the
[50:40] brink of war in the world today,
[50:42] at the very instant,
[50:44] >> [music]
[50:44] >> maybe it's no accident, the movie
[50:45] Arrival arrived
[50:48] to remind us of the power of the
[50:51] language to change the way we think
[50:53] about ourselves and our relationship to
[50:54] one another. And we think about it from
[50:56] that perspective,
[50:58] >> [music]
[50:58] >> in addition to being an awesome movie
[51:00] and one of my favorites,
[51:02] the question that it begs for me, and
[51:04] I'm going to invite you to think of the
[51:06] same question,
[51:07] if our words
[51:10] are reflection of what's happening in
[51:12] the world and our words are directing
[51:14] our biology and the way our neurons
[51:16] fire, what words
[51:18] >> [music]
[51:18] >> are you feeding into the field? What
[51:20] words are you feeding into the matrix?
[51:23] One of the great finds of the 20th
[51:25] century, what has been called the single
[51:27] greatest archaeological find of the last
[51:29] century, was found in an area that is
[51:32] known as the Qumran area along the
[51:34] shores of the Dead Sea. There were a
[51:37] series of scrolls and documents and
[51:40] parchments that were found and in those
[51:43] scrolls we began to find perhaps more
[51:45] information about our past.
[51:47] >> [music]
[51:47] >> And the most detailed information of our
[51:49] biblical history than we've ever found
[51:51] before.
[51:53] All of this information, tremendous
[51:55] amounts of information, was recovered
[51:57] between 1946, 1959 in 11 caves on the
[52:02] shores on the western side of the Dead
[52:04] Sea just outside of Jerusalem.
[52:06] Between those years, over 25,000
[52:10] fragments of this copper and papyrus and
[52:14] parchment were discovered. [music]
[52:16] And it was eventually pieced into
[52:18] approximately 900 scrolls. In those 900
[52:22] scrolls, the job of piecing the scrolls
[52:25] together and of translating them and
[52:27] [music] compiling the information and
[52:28] publishing all of this was given to a
[52:30] team of only seven scholars.
[52:33] >> [music]
[52:33] >> There were seven male scholars.
[52:35] And up until very recently, those seven
[52:38] scholars were the only people that had
[52:40] access to [music] this library of
[52:42] information that's now known as the Dead
[52:44] Sea Scrolls Library.
[52:46] >> [music]
[52:46] >> Within this library that we find the
[52:49] oldest recorded documents of the
[52:52] original books of the Hebrew Old
[52:56] Testament, the Hebrew book of the Torah,
[52:58] which became the first five books of the
[53:00] Christian Old Testament, Genesis,
[53:02] >> [music]
[53:02] >> Exodus, Leviticus, Numbers, Deuteronomy.
[53:05] The scribes who penned the information
[53:08] in these scrolls placed them in the
[53:10] caves long before the edits of the 4th
[53:13] century ever happened. So that when
[53:15] these documents were discovered for the
[53:16] first time [music]
[53:18] in a very, very long time, we actually
[53:20] saw the original words, the original
[53:22] text. So to really understand what the
[53:25] scrolls are saying to [music] us today,
[53:27] I think we have to ask the question, who
[53:29] recorded the scrolls in the first place?
[53:31] Where did the Dead Sea Scrolls come
[53:32] from?
[53:34] Scholars are pretty much in agreement
[53:37] that the scrolls originally were
[53:40] >> [music]
[53:40] >> penned by a mysterious sect called the
[53:43] ancient Essenes. We first hear about the
[53:46] Essenes arriving about 500 years before
[53:49] the time of Jesus
[53:50] >> [music]
[53:50] >> on the shores of the Dead Sea in an area
[53:52] known as Qumran.
[53:54] In the Qumran area, the Essenes
[53:55] separated themselves from the societies
[53:59] and the communities around them so that
[54:01] they could live and honor the traditions
[54:03] of a teaching
[54:04] >> [music]
[54:04] >> that was already ancient in their time.
[54:07] Well, the mystery of the Essenes and
[54:09] precisely who they were and then where
[54:11] they came from. No one knows precisely
[54:13] where they came from. There are a lot of
[54:14] theories and we really don't know for
[54:16] certain. What [music] we know is that
[54:17] they were in the Qumran area about 500
[54:19] years. Not long after the crucifixion of
[54:23] Jesus, they were persecuted
[54:25] tremendously. Well, when they fled the
[54:27] area, the records show that they fled
[54:29] into the mountains of Egypt. [music]
[54:31] And we find records of the Essenes going
[54:34] into the Sinai Peninsula and those areas
[54:36] today.
[54:37] >> [music]
[54:37] >> We know that they fled into the
[54:39] highlands of Central Asia and what today
[54:43] we call the area of Tibet.
[54:46] What is lesser known is the plight of
[54:48] the Essenes into the Americas.
[54:50] We know [music] that today we find
[54:52] active Essene monasteries in South
[54:55] America between the borders of Bolivia
[54:57] and Peru. Evidence of the Essenes has
[54:59] actually been found in North America
[55:02] among the Native American tribes in the
[55:03] desert Southwest, and the Navajo and the
[55:06] Hopi. [music]
[55:07] And they speak about their brothers from
[55:10] the East that journeyed to them over
[55:12] 2,000 years ago and spoke to them what
[55:14] the Essenes called the angels of the
[55:17] fire, the angels of the air, the angels
[55:19] of the water, and the angels of the
[55:20] earth.
[55:21] As we look at the world today,
[55:23] this highly [music] technological, very
[55:26] sophisticated world that we've built in
[55:27] the West,
[55:29] what we must ask ourselves is are we
[55:32] happy in this world and does this world
[55:34] serve us?
[55:35] >> [music]
[55:36] >> Does it really serve us? What I think
[55:38] we're searching for as a society, what I
[55:41] believe we're searching for as a
[55:42] civilization, is a yardstick. [music]
[55:45] As we find ourselves in the uncharted
[55:47] territory of what to do with this
[55:50] technology that we're developing, the
[55:51] technology in the very first part of
[55:53] this program, we now have the power to
[55:56] change our gene pool, to change the
[55:58] weather around us, to create new forms
[55:59] of matter, new forms of life, the power
[56:02] to build tremendous weapons with the
[56:04] destruction potential exponentially
[56:06] greater than anything we've ever known
[56:08] before. As we find ourselves a species
[56:11] [music]
[56:11] still defined by our differences in the
[56:14] presence of such tremendous
[56:15] technologies, we ask [music] ourselves,
[56:18] we must find a yardstick, a guiding
[56:20] principle by which we measure the
[56:23] choices that we make in our lives from
[56:25] this point forward. [music]
[56:26] And if we can find that yardstick, even
[56:29] though we've crossed the boundary or way
[56:31] beyond right and wrong,
[56:33] I think that we may not go wrong.
[56:37] And I believe that that single principle
[56:40] is that we must find a way to honor the
[56:42] principle of life in whatever we do.
[56:45] If we can hold life sacred,
[56:47] >> [music]
[56:47] >> if we can hold the principle
[56:49] of human life and all life sacred in
[56:53] each choice that we make, whether we're
[56:55] talking about weapons or we're talking
[56:57] about genetic engineering, whether we're
[56:58] talking about weather or we're talking
[57:00] about taking our civilization to other
[57:02] worlds, because we're in uncharted
[57:04] territory, we don't know the answers.
[57:07] What I do know is if we can hold that
[57:08] principle sacred, I believe we won't go
[57:10] wrong.
[57:12] What we know right now is that the
[57:14] choices of our past, the choices that
[57:15] denied life, the choices that affirm
[57:18] life,
[57:19] those choices must be made in the lives
[57:23] of individuals before they become the
[57:25] choices of our collective response to
[57:27] this time in history.
[57:29] Part of my [music] heritage
[57:32] uh is Native American, is Cherokee.
[57:35] And in the Cherokee tradition, as well
[57:36] as in some others in the Midwest of the
[57:38] United [music] States,
[57:41] our indigenous ancestors knew of this
[57:42] power of the heart, and they actually
[57:45] gave it a name.
[57:46] This is one of the things there is no
[57:49] >> [music]
[57:49] >> English translation specifically for
[57:52] this name. There is no single English
[57:55] word
[57:56] >> [music]
[57:56] >> that means precisely what the native
[57:59] words mean. So, we have to create
[58:01] English words around it. [music] But,
[58:03] like prana, when we say the word prana,
[58:05] that is a Sanskrit word, there is no
[58:07] English word that means prana. [music]
[58:09] So, we have to create some other words.
[58:11] We say, uh, energy body or life force to
[58:15] approximate what it means. Well,
[58:16] >> [music]
[58:16] >> same thing's happened with the wisdom of
[58:18] the heart.
[58:19] And the the word that's used is called
[58:22] Shanti Ishta. [music]
[58:24] Shanti Ishta. And it means the single
[58:27] eye of the heart.
[58:29] The heart that doesn't judge, right,
[58:31] [music] wrong, good, bad. The heart can
[58:34] discern
[58:36] what's true for us and what's not.
[58:38] Yet, it does not assign [music] a
[58:40] judgment.
[58:41] That's a powerful distinction, and that
[58:43] will empower you in situations whether
[58:45] you're in the boardroom or the classroom
[58:48] or you're with your friends or in the
[58:50] most intimate relationships with those
[58:53] that are closest to you where you tap,
[58:55] and they know you well enough to tap the
[58:58] [music] buttons and the triggers that
[59:00] elicit responses that sometimes you wish
[59:02] you you hadn't upset.
[59:04] >> [music]
[59:04] >> If you can get out of your brain and go
[59:05] into your heart, Shanti Ishta, the
[59:08] single eye of the heart, it'll tell you
[59:09] what's true for you, and you only. Can't
[59:11] [music] tell you what's true for someone
[59:13] else. And it will do it with
[59:15] discernment.
[59:16] So, it makes a lot of sense that the
[59:18] gamma [music] state actually allows us
[59:20] this very, very fast process. And the
[59:22] gamma state also, [music] when we
[59:24] achieve that, it's a natural
[59:25] antidepressant. People are happier, and
[59:28] they're much calmer when they're in this
[59:29] gamma [music] state. And it also
[59:31] awakens, it breathes life into our
[59:34] sensory perception. When we're in the
[59:36] gamma state,
[59:37] >> [music]
[59:37] >> we can pick up scents that we cannot
[59:40] pick up typically in the beta state. You
[59:42] smell things, it becomes alive. [music]
[59:44] Your sensations of sound, music feels
[59:46] differently. It doesn't just sound, it
[59:49] feels differently [music] to you. These
[59:51] are all the benefits of being in the
[59:52] gamma state. So, I'm saying this to you
[59:54] now because we're about to move into the
[59:56] gamma state. [music]
[59:57] Now, I want you to know all of the
[59:58] benefits that come from doing precisely
[1:00:01] this. So, we've explored many of the
[1:00:04] potentials that come from awakening
[1:00:07] >> [music]
[1:00:07] >> this marriage, this union between the
[1:00:10] heart and the brain. And there are
[1:00:12] others, we're just barely scratching the
[1:00:13] surface.
[1:00:14] But, what I'd like to do now is share
[1:00:16] [music] with you a technique
[1:00:18] a technique so that you can tap these
[1:00:21] potentials in your life when you choose
[1:00:24] [music] to do so.
[1:00:25] What science knows is that every moment
[1:00:27] of every day, as I mentioned, there's
[1:00:28] this conversation. It's a conversation
[1:00:30] between the heart and the brain.
[1:00:32] The heart is speaking [music] to the
[1:00:33] brain and the quality of the
[1:00:35] conversation that comes from the heart
[1:00:37] and the brain
[1:00:38] >> [music]
[1:00:38] >> tells the brain what chemistry to
[1:00:40] release into the body.
[1:00:42] So, for example, when we're feeling
[1:00:44] >> [music]
[1:00:44] >> emotions that we would typically
[1:00:46] consider negative,
[1:00:47] and I don't like to characterize
[1:00:50] emotions as negative or positive, but
[1:00:52] I'm [music] doing this so that you you
[1:00:53] get a sense of what we're doing here.
[1:00:55] When we have emotions
[1:00:57] such as anger, hate, jealousy, [music]
[1:00:58] rage,
[1:01:00] what you're seeing on your screen is an
[1:01:02] actual printout of the quality of the
[1:01:05] signal [music] from the heart to the
[1:01:07] brain. And you can see it's very
[1:01:08] chaotic. It's a very jagged signal, it's
[1:01:10] a rough signal, [music] and it's that
[1:01:12] chaotic, jagged, rough signal that
[1:01:15] signals chaotic chemistry in your brain.
[1:01:19] >> [music]
[1:01:19] >> This is the kind of chemistry that tells
[1:01:21] us that we need high amounts of
[1:01:23] adrenaline, high amounts of cortisol,
[1:01:25] the stress hormones, to respond to
[1:01:27] something quickly [music] in life.
[1:01:29] That's a good thing for a few moments.
[1:01:31] You don't want to live your life day in
[1:01:32] and day out like this.
[1:01:34] The next image that you're seeing is
[1:01:37] what happens when we can shift
[1:01:40] our heart-based [music]
[1:01:41] experiences from things like
[1:01:43] frustration, anger, hate, jealousy, and
[1:01:45] rage to things
[1:01:47] >> [music]
[1:01:47] >> like compassion, care for anything,
[1:01:51] gratitude for anything, appreciation for
[1:01:54] anything. [music]
[1:01:56] Let me talk to you about the concept of
[1:01:58] time in the Hopi language.
[1:02:01] In Hopi, there is no time [music] as we
[1:02:03] know it.
[1:02:05] There's only now.
[1:02:06] And what Whorf found when he was
[1:02:08] exploring the language is that [music]
[1:02:10] there were no nouns in the Hopi language
[1:02:13] to specifically refer to the past
[1:02:16] [music] or the future. Everything is
[1:02:18] present. Everything is happening right
[1:02:20] now. So, for example, the idea of a
[1:02:23] wave, when we look at the wave in an
[1:02:24] ocean,
[1:02:25] we say, "Look at that wave." For the
[1:02:28] Hopi, it's impossible [music] to see one
[1:02:31] wave in the moment in time and call it a
[1:02:34] wave because it is happening now.
[1:02:37] >> [music]
[1:02:37] >> The word is waving. When they are
[1:02:40] looking at the wave,
[1:02:42] we say, "Look at the wave." But we know
[1:02:44] there are other waves out there. The
[1:02:45] Hopi say that the ocean is waving.
[1:02:48] They actually have a word, they say
[1:02:50] walalata, meaning the plural waving is
[1:02:53] occurring, the plural waving. So, in a
[1:02:56] very real sense, their language is more
[1:02:58] accurate than ours describing what the
[1:03:00] waves are doing, although it feels
[1:03:02] awkward to us because of the way we're
[1:03:04] wired to [music] think.
[1:03:06] So, the Hopi are using the same words to
[1:03:09] describe what is
[1:03:11] >> [music]
[1:03:11] >> or what has already happened. They're
[1:03:13] describing a quantum possibility
[1:03:16] that has already become manifest while
[1:03:18] leaving the future open for other
[1:03:20] manifestations and other possibilities.
[1:03:23] Well, when we look at the movie The
[1:03:25] Arrival from this perspective, it opens
[1:03:28] up a whole new realm of possibilities
[1:03:31] because this is the central theme to the
[1:03:33] movie.
[1:03:34] In the movie, humankind through the
[1:03:37] language of separation was on the brink
[1:03:39] of war, on the brink of destruction in
[1:03:42] the modern world because of the weapons
[1:03:44] we have and the kind of war that was
[1:03:46] possible.
[1:03:47] And it's precisely at this moment in
[1:03:50] time
[1:03:51] when a new language is introduced to the
[1:03:54] world. Now, in the movie it happened to
[1:03:56] come from another world
[1:03:58] and that was the ET perspective.
[1:04:01] But there is a growing body of
[1:04:03] scientific evidence that suggests
[1:04:05] something very similar to what happened
[1:04:08] in The Arrival has already happened here
[1:04:10] on Earth.
[1:04:12] But didn't necessarily come from another
[1:04:13] world in our time. It may have been left
[1:04:16] to us in the past.
[1:04:18] Right now, there are 23
[1:04:21] examples of ancient texts, ancient
[1:04:25] languages that were given to the people
[1:04:27] of the Earth that to this day cannot be
[1:04:29] translated. We don't know what they say.
[1:04:32] Through the wisdom preserved in some of
[1:04:33] our most ancient and cherished
[1:04:35] indigenous and spiritual traditions,
[1:04:38] >> [music]
[1:04:38] >> we can now think of language as the user
[1:04:40] interface for the operating system of
[1:04:42] our lives, the divine matrix.
[1:04:45] Well, in the next episode, we'll dive
[1:04:47] directly into the physics of the matrix
[1:04:49] itself to discover how to transform the
[1:04:52] hurtful creations in our lives into
[1:04:54] healthy outcomes of relationship and
[1:04:55] even healing.
[1:04:57] I want to thank you for joining me for
[1:04:58] today's program and be sure to tune in
[1:05:01] to our next all new episode of The
[1:05:02] Divine Matrix bridging time, space,
[1:05:06] miracles, and belief.
[1:05:17] >> The Aramaic language
[1:05:19] is um
[1:05:21] is one of the most balanced languages
[1:05:24] in terms of masculine and feminine. So,
[1:05:26] for example, for example,
[1:05:29] the Lord's Prayer
[1:05:32] in the traditional English translation
[1:05:35] begins by saying, "Our Father,
[1:05:39] who art in heaven."
[1:05:41] Very common translation in English.
[1:05:45] Right there, look at what's happened.
[1:05:47] You've just identified it's it's all
[1:05:49] masculine, number one. And number two,
[1:05:52] that that masculine power isn't even
[1:05:54] here. It's somewhere else, in heaven.
[1:05:56] It's it's not even here.
[1:05:58] Whereas, Abwoon d'bwashmaya,
[1:06:01] the Aramaic for the first sentence of
[1:06:03] the Lord's Prayer,
[1:06:05] translates very differently.
[1:06:08] Begins by saying, "Mother-Father God."
[1:06:11] Or, it can be Mother-Father Birther of
[1:06:15] the Cosmos. That is a valid translation
[1:06:18] in uh in Aramaic.
[1:06:21] And um
[1:06:23] and it goes on from there. And and this
[1:06:25] is a beautiful example of where there is
[1:06:28] no word-to-word
[1:06:30] translation from the ancient into the
[1:06:33] the modern uh
[1:06:35] the modern languages
[1:06:37] and the the Romance languages.
[1:06:39] Our languages
[1:06:41] are based in separation.
[1:06:43] So, the English language is all about
[1:06:46] here and there, and then and now, and
[1:06:48] you and me, and past and future.
[1:06:51] Whereas, many of the indigenous
[1:06:53] languages, the Hopi language, I I talk
[1:06:55] about that in in the book. The Hopi
[1:06:57] language
[1:06:58] is based in the Hopi language,
[1:07:02] everything is alive
[1:07:04] and it is present in this moment. The
[1:07:07] Hopi have no words for the future and
[1:07:09] the past because everything is living in
[1:07:12] now.
[1:07:14] Uh and they are also much more balanced
[1:07:16] in the masculine feminine.
[1:07:18] And the same with with Aramaic.
[1:07:20] So, this is one of the places where the
[1:07:23] the meaning can be
[1:07:25] uh of the actual words
[1:07:28] can be
[1:07:29] very very powerful [music] in the
[1:07:31] original if you want to go into the
[1:07:32] translations and in the original
[1:07:34] language.
[1:07:36] So, I I totally get uh you know, where
[1:07:38] where that's coming from. Now, the flip
[1:07:39] side
[1:07:41] the flip side of this
[1:07:43] is in the Gnostic and the early Hebrew
[1:07:47] and then subsequently the the Christian
[1:07:49] traditions that came later.
[1:07:52] When they talk about our relationship to
[1:07:55] the cosmos
[1:07:57] uh they're very clear that the feminine
[1:08:00] is the earth
[1:08:02] and the masculine is is heaven.
[1:08:05] And we are the marriage of those two and
[1:08:08] that for that reason they don't assign
[1:08:10] the feminine principles
[1:08:13] to the heaven and they don't assign the
[1:08:15] masculine to the earth.
[1:08:17] So, it's it's a really interesting
[1:08:19] perspective that we are the union of
[1:08:21] heaven and earth. We are spirit and
[1:08:23] material made from the elements of of
[1:08:26] this world
[1:08:28] woven together into this mysterious
[1:08:31] hybrid essence of of our being.
[1:08:34] So, it's not that they're denying the
[1:08:37] feminine, it's that they are relating to
[1:08:40] the masculine and feminine in a very
[1:08:41] very different way.
[1:08:43] Now, to the modern world there's a big
[1:08:45] charge on that and many people feel that
[1:08:47] it it's sexist.
[1:08:48] And I I can see where that perspective
[1:08:51] would come
[1:08:52] based on modern interpretations and and
[1:08:56] the the charge
[1:08:58] that is in our societies right now is a
[1:09:00] a
[1:09:01] charge on these ideas.
[1:09:03] So, I'm going to invite people I
[1:09:04] acknowledge that and it's it's
[1:09:05] completely valid.
[1:09:07] But, if we get hung up in that charge,
[1:09:09] we fall into the ancient trap that keeps
[1:09:11] us separated
[1:09:13] from one another and from the
[1:09:16] the deep truth of the wisdom that's in
[1:09:19] these codes.