Some spiritual turning points arrive in silence and ceremony. Jai Uttal's came in two parts: a closed temple gate in northern India, where a guard told him that his teacher had left in the middle of the night, and then a sunrise on a Buddhist stupa at Sarnath, where he heard Maharaji's voice repeating a single word. In the third installment of his nine-part Discovering Jai Uttal series, Episode 5, he describes how the grief at the gate exposed how deeply Neem Karoli Baba had entered his heart, and how a three-letter mantra, arriving at a moment he had not planned, displaced the elaborate spiritual system he had spent years learning. The story is short, but its turns are precise, and they reward a close reading for anyone who has wondered how a practice actually becomes "the mainstay" of a life.
Whathappenswhentheteacherissuddenlygone?
The scene opens on an ordinary morning. Jai, then 19, had been going to the Hanuman temple every day, walking around the murti and paying respects before going on with his day. This morning the gate was shut, and the guard, a chokidar, refused him entry. When Jai asked where Maharaji was, the answer was blunt: he had left in the middle of the night, had not said where he was going, and no one knew when he would return.
What interests Jai most in retelling it is what the news revealed about him. He told the story in this episode of Discovering Jai Uttal (around 1:56): "I hadn't realized until that moment how incredibly attached I had become to this human being, to this man, to this um amazing amazing man. And and my my heart broke." Many spiritual seekers imagine that devotion is a steady, rational commitment. Jai's account suggests something messier. He did not know how much of his inner life was tied to a person until that person was no longer in front of him.
There is a useful lesson in that for anyone practicing devotion. Attachment is often invisible while the relationship is comfortable. A closed gate makes it audible.
Whydoesgriefrevealwhatwehavebeencarrying?
Jai did not go home and reason his way through the loss. He walked away from the gate and sat in front of the Hanuman statue, which he said had become more beautiful to him with each day. He describes a moment in which the statue seemed to be weeping: "literally I felt that Hanuman's eyes were filled with tears and the tears were coming down his face." He cannot recall exactly what he sang, perhaps a line of "Shri Ram, Jai Jai Ram," but he remembers that singing opened something.
Around 2:50 in the episode he names what came up: "there was this deep deep well of grief um revealed itself to me that that had been in me." He speculates, with characteristic humility, about whether it had roots in previous lives, and then notes the simpler observation that a nineteen-year-old is rarely attuned to his own inner world. The grief was not new. What was new was that he could finally feel it.
This is a recurring pattern in devotional writing: the emotion that a teacher's absence brings forward is often older than the loss, and the loss simply gives it a door.
Whatwasthemeditationsystemhehadbeenpracticing?
To understand what happened at Sarnath, you need to know what Jai was doing before it. He had learned a demanding meditation method from yogis who had come to the United States, and he describes it in detail. It was built on the chakras, with a visualization, a sound, and a color for each center, and he recalls that each chakra also carried an associated fruit, vegetable, and dessert. The rule was strict: "you had to fully visualize and hear these sounds and these images on one chakra before you go to the next chakra." He calls it "a lot of concentration on something really abstract."
Jai is not dismissing that discipline. He is describing its texture: layered, conceptual, and demanding. In his telling, the practice worked the way a complicated instrument works, with a great many things to keep in tune at once. That is precisely why its collapse matters.
HowdidasinglemantraarriveataBuddhiststupa?
After the gate, Jai went to Varanasi, which he calls Benares, intending to study classical music. He and friends rented a house in Aipur, a village surrounded by mustard fields, and he took singing lessons and sarod lessons in the city every other day. He carried the heavy instrument with him across India, which he admits was a little crazy.
Then an old high-school friend, who was also studying Indian classical music in the country and learning the sarangi, showed up at the door and suggested they try bhang, an edible form of cannabis. Jai, who calls himself at the time a completely yogified, drug-free young man, agreed to a plan. They would meet at three in the morning, eat the candies, walk about six kilometers to Sarnath, and watch the sunrise from a stupa.
Sarnath is a Buddhist pilgrimage site, and Jai notes that it is famous worldwide as the place where Gautama Buddha gave his first discourse, the place where, as he puts it, "they say he turned the wheel of the dharma." The stupas there are man-made mounds that pilgrims walk around in prayer. Climbing one was not done. But the friend had found the maintenance stairs, and they went up.
The bhang, Jai says, was intense, "as strong as acid trips I'd had back in the United States as a teenager." He was sweating and straining at the chakra visualization while the sun came up. He asked himself what the color was for the third chakra. Then, at about 8:13 in the episode: "suddenly, I heard inside of my head." He describes a huge explosion that only he seemed to hear, and then Maharaji's voice, which he says came from inside his molecules.
"Imagine at Wembley Stadium David Bowie singing very softly into the mic but it's so loud even though his voice was gentle." (Jai Uttal, Discovering Jai Uttal, Episode 5 Part 3, around 8:47)
That image of a gentle voice at stadium volume is, in its way, a good description of what he means by the mantra. The voice was soft in tone and overwhelming in presence.
Whatdoesitmeanwhenamantrareplacesthewholesystem?
Each repetition of the word, Jai says, drained something out of him: "my this this meditation not only the meditation practice but everything I thought I knew about spirituality which was very conceptual to me and everything I thought I knew about enlightenment which was completely conceptual to me." The word was "Ram," three letters, and what he felt was relief. He did not have to build anything. He could hear the word, trust it, and simply be, watching the sunrise over the village.
He ends the scene with a detail that has the feel of a photograph: he was sitting on the stupa holding a rose up toward the sky, and friends were around him. He is aware of how it looks. "I'm such a hippie, you know." But the image also marks the shift from doing spiritual practice to receiving it.
Around 10:12 he offers his interpretation with real restraint: "I don't want to be presumptuous but I kind of feel that that was when Maharaji initiated me." He does not claim a formal event. He offers a felt sense, which is how many devotees speak about inner transmission.
Whydoesamantrabecomeamainstayfordecades?
Jai closes by acknowledging that his life has had many diversions, ups, downs, cracks and valleys since that morning. Yet, he says, "since that day, this word has been the mainstay of my inner temple." The phrase is worth pausing on. A mainstay is a support, the beam that holds up a structure. For Jai, the temple is inner, and the mantra is its central pillar. The power of the story is that the support was not chosen with strategy. It was handed over in the middle of grief, intoxication, and a dawn walk to a Buddhist site, and it held.
For readers who practice devotion, the episode offers a few practical reflections. Attachment to a teacher can be invisible until loss exposes it. Elaborate methods can be valuable and still give way to something simpler. And a single word, repeated with trust, can outlast the complexity that surrounded it. Jai's account does not promise that anyone else will hear a voice at Sarnath. It shows how a practice can become a home.
Wheretogofromhere
If this episode caught you, the most useful next step is the series itself. Discovering Jai Uttal is a nine-part journey, and Episode 5 is where its narrative leans into the question of how devotion deepens through loss and surrender. Jai's own site, jaiuttal.com, is the place to find his work and what he is sharing next. Read his words slowly, especially the passages about the gate and the stupa, and notice where your own attachments are doing quiet work. The mantra he describes is three letters long. You do not need a stupa at sunrise to begin trying it.
American kirtan singer, multi-instrumentalist, and pioneer of devotional sound in the West — one of the central figures, alongside Krishna Das, Snatam Kaur, and Deva Premal, in the…
Jai Uttal is a musician and devotional figure who, in this nine-part video series, shares stories, music, teachers, challenges, and moments of grace that have shaped his path of devotion. In Episode 5, Part 3, he recalls his early years in India, including his time with Neem Karoli Baba, whom he calls Maharaji.
After an intense dose of bhang, Jai climbed a Buddhist stupa at Sarnath to watch the sunrise and meditate. He says he heard Maharaji's voice repeating the word "Ram" inside his head, and that this single mantra replaced the complicated chakra-based meditation he had been practicing.
Jai says he had not realized how attached he had become to his teacher until the gatekeeper told him Maharaji had left in the middle of the night. The loss revealed a deep well of grief he had been carrying without knowing it.
Jai describes the mantra as a simple three-letter word that drained away his conceptual ideas about spirituality and enlightenment. He calls it the mainstay of his inner temple, a support that has remained with him since that morning in Sarnath.
Jai does not claim a formal initiation. He says, with humility, that he doesn't want to be presumptuous, but feels that the moment at Sarnath was when Maharaji initiated him.
Jai describes a demanding method learned from yogis who came to the United States, with a visualization, sound, and color for each chakra, plus an associated fruit, vegetable, and dessert. Each chakra had to be fully visualized and heard before moving to the next.