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Inspiration

Om Mani Padme Hum: A Compassion Mantra in Sitar Practice

Egemen Sanli
Egemen Sanli
Sep 22, 2025
6 Min. Lesezeit

Von Egemen Sanli

Picture a practice room with a sitar on the stand, a tanpura drone humming in the background, and a mantra being worked over until it stops sounding like words and starts sounding like breath. That is the setting Egemen Sanli sets up in "Om Mani Padme Hum with @MadhuHeals," a 13-minute video published on his channel on September 22, 2025. The mantra is one of the most recognizable chants in the Buddhist world, and Sanli's reading of it is deliberately plain: practice compassion, and you will find a way to ease your own suffering as well as the suffering of others. What follows is an account of that teaching, the musical context Sanli is working in, and the limits of what a written summary can carry from a video whose spoken content was not available for this piece.

Lesen · 6 Abschnitte

What is Om Mani Padme Hum, and why does it keep coming back?

Om Mani Padme Hum is a six-syllable mantra most often associated with Tibetan Buddhism and with compassion. It is chanted, repeated on prayer beads, painted on stones and prayer flags, and sung in settings that range from monastery halls to contemporary recording studios. Its staying power is part of Sanli's point. A mantra that has been carried through so many hands and centuries does not need a new meaning invented for it; it needs to be practiced again.

Sanli's own description of the video makes that the central claim. He calls his interpretation "simple," and the simplicity is the teaching. The mantra is not presented as a puzzle to decode or a formula for getting something. It is presented as a direction of attention, one that turns outward toward other beings while also, he says, relieving the one who is chanting.

How does compassion ease your own suffering?

The most useful idea in the video's framing is that the two halves of Sanli's sentence are not separate. Practicing compassion is not a sacrifice you make at your own expense. Sanli's description puts the relief for the practitioner in the same breath as the relief for others, which is a quiet challenge to the habit of treating self-care and care for others as a trade-off.

"My interpretation is simple: practice compassion, and you'll find a way to ease your own suffering as well as that of others."

— Egemen Sanli, video description, YouTube, September 2025

Read that way, a mantra becomes a repeated act of orientation. Each recitation asks the mind to notice suffering, its own included, and to hold it with a wider attention. The practice does not promise that suffering disappears on schedule. It offers a way of standing in relation to it that Sanli believes will lighten it.

Why does a sitar player teach a Buddhist mantra?

Sanli is a musician first, and his channel and links point to a sitar practice. His Facebook handle, for instance, references the instrument directly, and his other links route to Spotify, SoundCloud, and Instagram. The video is framed as a musical session rather than a lecture: he describes working with Madhu, a collaborator credited in the title as @MadhuHeals, and testing new gear as part of the preparation.

That combination matters. In many traditions the mantra is not separate from the sound that carries it. Pitch, pacing, and the length of a breath all shape how a phrase lands. A sitar player working through a mantra is forced to hear the words as tones, and the tones as intention. The gear and the rehearsal are not a side note; they are where the practice becomes audible.

What does the video not tell us?

Honesty about sources is part of reading any teaching well, so it is worth being direct. The video's transcript was not available when this piece was written. That means we cannot quote Sanli's spoken explanation, cannot report which recording approach he takes, and cannot describe the exact sequence of the session. What we have is the title, the published description, and the links. Anything beyond that would be invention, and a reader deserves better than a confident-sounding account of a video that was never read closely.

The description also places the session in a wider context. Sanli writes that he has been preparing for Bhakti Fest, held October 23–25, 2025, in Sebastopol, which he calls "an epic gathering of amazing teachers, musicians, friends, and community." That edition has now passed, so the event is best understood as the occasion behind the video rather than an upcoming date.

How can you work with this teaching yourself?

The teaching in Sanli's description is short enough to test in an ordinary day. A few practical ways to approach it, drawn from his stated interpretation rather than from anything he prescribes:

  • Choose one mantra, such as Om Mani Padme Hum, and repeat it for a fixed number of breaths rather than a fixed number of minutes.
  • Notice where your attention goes while you chant. If it drifts toward a particular person or a difficult feeling, let that be the object of the next repetition.
  • After a session, check whether your own sense of strain has eased at all. Sanli's claim is that the relief runs in both directions, so it is fair to look for it in yourself as well as in your effect on others.
  • If you make music, try hearing the phrase as a melody line. Pay attention to where the breath falls and how the tone settles.

Where to go from here

Start with the video itself if you can watch it, since the spoken teaching is the richest material and this piece cannot replace it. Then return to the mantra with the simple question Sanli poses: does practicing compassion ease the weight you carry? Treat the answer as an experiment rather than a conclusion. For more on Sanli's music, his published links, including Spotify, SoundCloud, and his personal site, are the places his work is collected. The mantra has been chanted for a very long time, and this video is one recent, unpretentious way back into it.

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Egemen Sanli
ArtistEgemen Sanli

Egemen Sanli, known as Ege, is a contemporary dervish blending Turkish heritage, Eastern ragas, and beats and synths into hypnotic world music soundscapes.

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Egemen Sanli describes his interpretation of the mantra as simple: practice compassion, and you will find a way to ease your own suffering as well as that of others. He presents it as a direction of attention toward other beings that also relieves the person chanting. The full spoken explanation was not available for this article.
The mantra is most often associated with Tibetan Buddhism and with compassion, and it is chanted in many settings. Sanli's video frames it through his own musical practice rather than through a formal doctrinal account.
One approach drawn from Sanli's interpretation is to repeat the mantra for a set number of breaths and notice where your attention goes. If a particular person or difficult feeling arises, let it become the focus of the next repetition. Afterward, check whether your own sense of strain has eased.
The 13-minute video, published September 22, 2025, shows Sanli practicing the mantra with a collaborator credited as @MadhuHeals while testing new gear. The description connects the session to preparation for Bhakti Fest in Sebastopol, October 23–25, 2025.
Egemen Sanli is a musician whose channel and links point to a sitar practice, and whose Facebook handle references the instrument. His published music is available on Spotify, SoundCloud, and iTunes, according to the links in his video description.
In many traditions the mantra and the sound that carries it cannot be separated, since pitch, pacing, and breath shape how a phrase lands. Working a mantra as a melody line lets a musician hear the words as tones and intention together.

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