I Allow My Soul To Rise arrived on March 20, 2026, as a single with one track. It is a compact release from an artist whose work reaches well beyond music. Lee Harris is an energy intuitive, channeler, author, speaker and teacher. His free monthly Energy Update videos reach hundreds of thousands of people, and his channeled books, Energy Speaks, Conversations with the Z's and The Future Human, became Amazon best-sellers. He has been writing and producing music since 1998, so this single comes from a long practice, not a side project.
It also belongs to a busy stretch of recent work. His output around it includes Mantramorphs (September 2025), Rising in Love: Medicine Mantras 3 (December 2025) and Sacred Fire (April 2026). The affirmation in the title, "I Allow My Soul to Rise," sits alongside other statements of intention in his catalogue, such as "I Am Peace." Hearing it as a single lets you take one intention and stay with it.
Harris's music is vocal-forward and built on affirmation. His voice is the main melodic instrument, and it carries warmth and presence rather than ethereal distance. Around it, his arrangements typically use layered guitar, subtle synth textures and occasional, sparing percussion. The space is deliberately open, so nothing crowds the voice.
Expect a slow, contemplative pace. His mantra-based pieces tend to repeat and vary a single statement over several minutes, without sudden dynamic shifts or crescendos that demand attention. The mood is grounded and steady, closer to a held breath than a swelling climax. I can't describe the exact arrangement of this particular recording beyond that house style, so approach it with that palette in mind and let your own ear fill in the details.
With a one-track release, the signature track is the release itself.
"I Allow My Soul To Rise." Its strength is the clarity of its premise. The title is the instruction: a first-person statement of permission, not effort. The verb "allow" matters. It frames growth as something you make room for, which fits Harris's wider emphasis on expanding intuition and awareness as capacities that can be refined rather than achieved by force. Repetition is the method here. Each return to the phrase gives you another chance to feel it rather than analyze it. If you let the restraint work, the lack of ornament becomes the point.
This is not bhakti or kirtan in the strict sense. Harris's work sits outside traditional lineage structures, and there are no Sanskrit chants or guru-initiated mantras here. The music draws instead on contemporary energy work, sound healing and the broader New Age wellness landscape. What it shares with devotional traditions is the practice of repeating a short phrase until it becomes felt experience. The language is plain English and self-directed. Compared with typical ambient music, it is more lyrical and more purposeful: the song is a tool for practice, not just a texture.
This single suits people who are already comfortable with the vocabulary of energy, intuition and heart-centered living, and who want music that supports practice rather than competes with it. It will resonate most with meditators, people doing emotional or somatic work, and those in a transitional moment who need a simple statement to lean on: a period of change, healing or reorientation.
It is likely to land less well with listeners who want instrumental virtuosity, avant-garde composition or a formal lineage. Repetitive, affirmation-based songs can feel undersaturated to ears shaped by pop production. People looking for confrontational or deconstructive spiritual work may find the tone too gentle.
Give it your full attention at least once, ideally alone and with headphones, so the voice sits close and the spare arrangement stays audible. Evening or early morning suits it well, when the day's noise is at its lowest. Sit or lie comfortably, and let the title phrase become your own: say it silently as the voice sings it.
On a second listen, use it as part of a ritual or practice. Pair it with a few minutes of stillness, journaling or breathwork. Because the release is a single piece, it fits easily as an opening or closing to a session. Notice what shifts between the first repetition and the last, and let that guide whether you return to it.
