Transcript
[0:18] [music]
[0:24] There we go.
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[1:40] >> Please. [music]
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[3:40] >> Hallelujah.
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[4:21] >> Father,
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[4:53] >> Heat.
[4:56] Heat.
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[5:01] Oh,
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[5:23] heat.
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[6:47] >> Heat.
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[7:05] Heat.
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[7:55] >> Heat. Heat.
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[10:26] >> Oh.
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[13:37] >> Mother. [music]
[13:47] Please.
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[15:12] >> Well, greetings everyone and welcome to
[15:14] a truly special online event today. It's
[15:16] called activate the medicine within your
[15:18] voice. How your voice can transform
[15:20] emotional blocks and reconnect you with
[15:22] the music of your soul. My name is
[15:25] Stephen Dyn. I'm the founder and
[15:26] president of the Shift Network. And
[15:27] today is a special blessing for me
[15:29] because way back early in my journey of
[15:32] awakening and transformation, Khloe
[15:34] Goodchild's music really touched my soul
[15:36] in a profound way. I used to facilitate
[15:38] holotropic breath work. We would often
[15:40] use some of her her music for the
[15:43] integration period because it was so
[15:45] such a beautiful blend of heart and soul
[15:47] and it's been a blessing to have her
[15:50] teach for the shift network over many
[15:52] recent years now. So, she's going to be
[15:54] with us today uh to help explore how you
[15:57] can really activate medicine in your
[15:59] voice, healing power in your voice. And
[16:02] a bit more about Khloe, she's an
[16:04] international voice pioneer. She's an
[16:05] author, singer, and founder of the naked
[16:07] voice. She's taught many programs for
[16:09] shift. And she's really, I think, an
[16:12] example of all for all of us of how to
[16:14] truly surrender to the s spiritual power
[16:17] that can move through your voice in a
[16:18] way that blesses yourself and others.
[16:20] And if you're touched by today, we have
[16:22] a brand new course with Khloe. We're
[16:24] very excited about it's called Medicine
[16:25] Songs for Your Soul Expression that
[16:27] we'll share more about towards the end
[16:28] of the hour. With that said, Khloe,
[16:30] welcome back.
[16:32] >> Hello, Stephen. It's wonderful to be
[16:34] back. It's really great to be in this
[16:35] conversation with you. I'm very excited
[16:37] about it.
[16:38] >> Yes. Well, it's always an adventure with
[16:40] you because we you're so open to
[16:42] whatever is how the spirit moves. And so
[16:44] I want to start before we go into some
[16:46] of the content and the medicine
[16:48] teachings a little bit about how your
[16:50] journey with voice particularly voice
[16:52] not just performing but voice is
[16:54] medicine.
[16:57] >> Well Stephen uh the use of the word
[17:00] medicine's come in more recently. Um and
[17:04] I would say what really brought me into
[17:06] this journey is longing. just longing,
[17:11] you know, I I've shared with you in the
[17:13] past my story of deafness in childhood
[17:16] and then, you know, the whole journey of
[17:18] learning to listen, learning how to find
[17:22] my way back into a very social
[17:25] environment, having been kind of
[17:27] silenced for a few years in my early
[17:28] years. Um but it was really thanks to
[17:31] that I think that I started to realize
[17:34] the medicine of listening and the
[17:37] medicine of uh communication as a sacred
[17:42] act. Uh and it was really music was the
[17:46] bridge for that journey. Uh so the
[17:49] longing went on and on and on and on.
[17:53] There was a lot of it because I was
[17:54] brought up in a very um religious
[17:58] institutional very um institutionalized
[18:00] Christian environment [snorts]
[18:02] and my lovely dad who I loved with a
[18:04] great love and my mom too never you know
[18:07] they were involved if you like in a
[18:10] version of Christianity that I found
[18:12] myself having to challenge which was
[18:14] great and involved having to really uh
[18:19] listen into communication. it itself
[18:23] because uh I remember that I remember
[18:25] being described as as kind of um
[18:29] overly diplomatic. Uh what was the other
[18:32] one I got at school was kind of pompous,
[18:34] you know, um arrogant, you know, um
[18:38] because I was just constantly asking
[18:41] questions and I was a kind bit of a
[18:43] loudmouth, you could say, uh at that
[18:46] time, but actually really painfully shy.
[18:50] In fact, uh and so this kind of
[18:53] collision between
[18:55] having to navigate as so many of us have
[18:58] had to learn to do uh you know the the
[19:02] kind of um
[19:04] the the conditioning of our childhood
[19:07] into adolescence and into uh early
[19:10] childhood really prompted uh my own
[19:14] voice forward. It really prompted my own
[19:17] voice to come forward and just say hey
[19:20] uh who am I you know and what purpose is
[19:26] this voice if not to speak its truth
[19:30] it's sovereign truth
[19:33] >> slowly but surely that became the
[19:35] absolute central driving focus of my
[19:39] life and that took me on
[19:43] many travels all over the world mainly
[19:45] the Middle East and India, Africa. Spent
[19:49] several months in all these places
[19:51] learning from indigenous cultures and
[19:54] also ancient sacred musical cultures as
[19:57] well. And of course up in the um in
[20:01] Canada as well in British Columbia uh in
[20:03] the lovely Holly Hawk. I used to teach
[20:05] up there a lot. Um, and finally finding
[20:10] myself meeting the First Nation uh,
[20:13] beings, these beautiful souls called
[20:15] Darnell and Smokeoky who were part of
[20:18] the Pagani uh, First Nation up in
[20:22] Montana. So I feel incredibly blessed
[20:25] that somehow or other my body has done
[20:26] all this traveling and absorbing
[20:28] absorbing absorbing um and then finally
[20:32] realizing that I'm in this conversation
[20:34] with plasmic scientists you know and
[20:38] philosophers and intellectual you know
[20:41] people that really are turning over the
[20:43] stones of truth. what is truth and what
[20:47] is true medicine you know and I think
[20:51] over the last particularly over the last
[20:53] couple of decades uh I've been taught
[20:55] time and time again by the individuals
[20:57] I'm working with when we started the
[20:59] naked voice in 1990 I can't believe we
[21:03] did and um it was really this
[21:06] experiential research that I embarked
[21:08] upon with human beings simply asking
[21:11] them
[21:13] how do you feel about your choice, you
[21:16] know, uh, and then just letting a lot of
[21:20] space available for the responses which
[21:23] were quite magnanimous.
[21:26] >> Quite a journey you've been on. And I
[21:29] want to circle back to this this notion
[21:31] of medicine. And so there's obviously a
[21:33] lot of levels of medicine. We can think
[21:35] of it in a more physicalist kind of
[21:37] materialist framework, but I I think
[21:39] you're meaning are multiple levels of
[21:41] medicine. So how is it that voice when
[21:44] infused with truth and with with a
[21:46] deeper depth really depth really really
[21:48] comes it helps us bring into a deeper
[21:51] alignment with who we are as you're
[21:53] saying
[21:54] >> right well thank you Stephen because
[21:57] obviously in this day and age there are
[21:59] there's such a multiplicity of um
[22:03] descriptions I actually looked up the
[22:05] meaning of medicine uh which from the
[22:07] Latin it comes from the Latin meaning
[22:10] medicineina
[22:11] And medina means the healing art. I love
[22:17] that. Did you?
[22:18] >> Uh, and that's related to medicus or
[22:21] medicica presumably the physician,
[22:25] right? And then that is related to the
[22:29] it's linked to the word medi which means
[22:32] to heal. Right? So medicine song. All
[22:37] right. a medicine song is a healing
[22:40] prescription from the soul. Um that's
[22:45] you know and I've been feeling into this
[22:47] a lot. Uh and realizing that you know
[22:51] clearly there are times when uh you know
[22:54] to have uh prescriptions or medication
[22:57] from the outside in is totally relevant.
[23:00] And then there are other times, most of
[23:01] the time in my case, because I think
[23:03] rather like you were saying, you never
[23:05] go to the doctor because it could well
[23:07] be that we're just living the lives we
[23:08] came here to live. So the likelihood is
[23:11] I I think if you are doing that, you're
[23:14] likely to stay pretty healthy. Uh and
[23:18] why is that is because you're in the
[23:20] healing art of your life. You know,
[23:23] you're you're living your life as a
[23:25] healing art. And so the voice of course
[23:28] is the [sighs]
[23:30] central um core uh communicating
[23:35] uh catalyst for uh this discovery, this
[23:39] self-discovery. And that means and of
[23:42] course we're very blessed with the brain
[23:45] that is the gut and the brain that is
[23:47] the the the head, the skull brain. And
[23:50] then we have the heart of course in the
[23:51] middle. And
[23:54] uh you know the it would seem as if
[23:58] the these two brains are in service to
[24:01] this middle brain middle massive heart
[24:04] brain. Uh and once we start to
[24:07] understand that the the the triadic
[24:09] nature of the body and how it works you
[24:13] know physically psychophysically and
[24:16] then spiritually from the center of the
[24:19] forehead which is really the key
[24:22] medicinal point in our work uh which is
[24:25] the pineal and that happened quite some
[24:30] time ago in my own discovery in a dream
[24:33] actually it came in a dream uh that I
[24:36] was to in no uncertain terms follow the
[24:40] path of the pineal gland and uh and so
[24:44] that has a whole story attached to it.
[24:46] But so to heal uh from the outside in as
[24:51] well as from the inside out, we just
[24:54] need to learn how to balance these
[24:56] realms, I think, don't we? Uh and it
[24:58] seems like it's my job to work on the
[25:00] the inside out piece. Uh and so being an
[25:03] artist, being a musician and a recording
[25:05] artist as well, um it's it's a great joy
[25:09] to me to realize that I can start or
[25:12] even that I have been creating music
[25:15] that was medicinal for people. I was
[25:18] very touched that you mentioned that at
[25:19] the beginning. Um and all of that kicked
[25:23] off recording and everything. Uh kicked
[25:26] off when I came back from India. It
[25:28] never occurred to me to sing on my own.
[25:31] uh you know I was so shy and such an
[25:34] empath absolutely chronic empath
[25:36] [laughter]
[25:37] and and so I mean that's a little bit of
[25:40] a contradiction in terms but [laughter]
[25:42] but you know um I just got the message
[25:45] you've got to walk into a recording
[25:47] studio and just start singing and just
[25:50] see what happens uh and at that time I
[25:53] was very blessed to be meeting uh and
[25:56] helping to bring people such as Coleman
[25:59] Bark's roomie poet and so many other
[26:02] extraordinary beings from America. We
[26:05] managed to slowly stop them flying from
[26:07] America to Germany and landed England.
[26:11] So we were blessed to receive Randas and
[26:14] Gabrielle Roth and James Hillman and
[26:16] Marian Woodman and you know all and Arie
[26:19] Mandel you all these extraordinary
[26:21] teachers. Uh and then of course meeting
[26:24] John Stewart Reed in 200 in 2001
[26:29] 2001
[26:31] um when I'd been researching this just
[26:35] listening listening listening to people
[26:36] for about 10 years and I suddenly got an
[26:38] invitation from John um to go and find
[26:42] him with a group of other eccentric
[26:44] singers
[26:46] in a chapel, one of the oldest chapels
[26:49] in England I believe um on the in the
[26:53] south of England uh to sing in such a
[26:56] way as he could then just explore with
[26:59] his technology what that looked like and
[27:01] I'm going what do you mean what does
[27:02] that look like you know so there there
[27:06] began the huge conversation between our
[27:08] respective journeys
[27:11] so singing is a visual um healing art
[27:16] it's a performative healing art of
[27:18] course um and I suppose I've just worked
[27:21] with too many um performers who are some
[27:26] of the most unhappiest people on the
[27:28] planet that I've ever met uh until they
[27:32] found that they could sing directly from
[27:34] the soul rather than singing as
[27:38] externally required
[27:40] >> in a performative way, you know, uh to
[27:43] entertain, not to necessarily transform
[27:47] or transmit, but to entertain, which is
[27:50] great. you know, there's nothing wrong
[27:51] with that. But um so long story short,
[27:55] all these realms, the simatic, you know,
[27:58] and this awareness of an ever expanding
[28:02] resonant field of coherence that's
[28:04] spoken about through all of modern day
[28:07] physics
[28:08] is something that I've experienced for a
[28:11] very long time. And I suppose I really
[28:14] got it when I got this really eccentric
[28:16] invitation to from Eve Enler of the
[28:19] Vagina Monologues to go and um sing and
[28:23] conduct the vagina monologues as a
[28:25] musical performance in Madison Square
[28:28] Gardens. And that was insane. You know,
[28:31] I remember walking into Madison Square
[28:33] Gardens and my daughter going, "Mom, how
[28:36] did you get this job?" you know, we're
[28:39] looking at this massive arena. And it
[28:42] was there that I really began to hear
[28:46] what 20,000 voices
[28:49] uh can manifest consciously,
[28:52] not as performance, not as
[28:54] entertainment, but in that case as a way
[28:57] of really uh bringing consciousness and
[29:00] awareness to
[29:02] uh supporting uh bringing grace and
[29:06] peace to the lives of women across the
[29:09] world. So it was all about that. So it
[29:12] had its own purpose. Yeah,
[29:16] >> it's amazing your journey. And uh let's
[29:18] let's I want to go a little deeper now
[29:20] into the actual practice of how do you
[29:22] sort of move from a sort of habituated
[29:25] maybe performance or other oriented
[29:27] voice to this really receiving this
[29:29] healing prescription from your soul like
[29:31] more that like getting into some of the
[29:32] first steps of how how do we shift gears
[29:35] tune in what is it that you're doing
[29:37] with breath with tone vibration to to
[29:40] shift into where you're really getting
[29:41] this medicine that can activate
[29:43] different parts of our being.
[29:45] >> Right. Right. Thank you, Stephen. I
[29:48] mean, the whole
[29:52] process of learning how to listen, to
[29:56] listen without judging
[29:59] is massive, isn't it? Because we live in
[30:02] such a polarized dualistic uh universe
[30:06] that is thankfully now changing. Um but
[30:09] how to listen not just with the left
[30:12] brain, not just with the right brain but
[30:15] with the whole brain and to listen from
[30:18] the center of the forehead. So that
[30:21] means to learn how to listen
[30:24] visibly
[30:26] which is I've never said that I don't
[30:28] think [snorts]
[30:29] um to listen in such a way as you're
[30:33] listening is coming from within you it's
[30:38] totally embodied
[30:41] and that means that you are not
[30:46] listening with your reactive mind you
[30:49] know and You're not just listening with
[30:52] your beautiful um heart centered
[30:56] intuition.
[30:58] You're listening with the whole brain
[31:00] and you're listening from the center of
[31:03] the forehead which is as we know the
[31:06] pineal. Um and I often share with people
[31:10] just a little practice actually where
[31:12] you just close your eyes and just have a
[31:16] good breathe. Just first of all just
[31:19] take a big breath in just with mouth
[31:21] closed.
[31:23] Breathe big breath in and then open your
[31:26] mouth and just [sighs]
[31:30] just to really energize your breath and
[31:33] your whole body. And again breathing in
[31:39] [sighs]
[31:42] good. And this really energizes and
[31:44] brings us into a deeper presence
[31:47] together. Again, just another third.
[31:53] [sighs]
[31:56] Yeah. Lovely.
[31:58] And just to at this moment just to let
[32:02] yourself
[32:04] oh just relax the whole body mind
[32:11] and to be aware of the central vertical
[32:14] axis
[32:16] of your body.
[32:20] And to be aware of
[32:23] receiving that vertical axis from the
[32:26] top of your skull, from the cosmos and
[32:30] down invisibly down energetically down,
[32:34] vibrating right down through the center
[32:36] of the body,
[32:39] diving down through the pineal, down
[32:43] through the throat,
[32:45] down through the heart center,
[32:48] the solar plexus. is
[32:52] pelvis
[32:54] root of the body and on down
[32:58] into the earth
[33:02] and bring full awareness to your feet,
[33:07] the middle of your feet.
[33:11] It's a lovely acupuncture point there,
[33:13] the bubbling spring.
[33:16] And just take your awareness on down
[33:19] a thousand miles down
[33:26] and just listen
[33:29] as you're breathing
[33:34] and just notice how your breathing also
[33:37] just knows when it relaxes where to
[33:39] breathe from.
[33:44] So listening into the belly right now.
[33:47] Breathing into the belly
[33:53] and breathing out. [sighs]
[34:00] And notice how that just keep that
[34:02] breathing going naturally.
[34:06] And just notice how that wants to
[34:07] connect with the upper torso.
[34:13] >> [sighs and gasps]
[34:17] >> And then just enjoy smiling as you're
[34:20] breathing.
[34:25] [sighs]
[34:26] I'm here.
[34:30] I'm here.
[34:36] [sighs]
[34:38] And be aware of your heart center
[34:40] opening your shoulders relaxing. Just
[34:44] let the shoulders
[34:46] rotate
[34:48] back and forth
[34:50] and just start to feel the whole
[34:52] coherence of your body, the awareness of
[34:55] that coherence returning.
[34:59] >> [sighs]
[35:00] >> and just also making little circles in
[35:04] the air with your nose
[35:07] one way and the other way. And what that
[35:10] does, of course, is it opens up the
[35:12] throat chakra at the back of the neck.
[35:16] And you might just want to
[35:18] have a lovely massage there at the back.
[35:20] Just move to massage round the back of
[35:23] the neck,
[35:25] round the base of the skull, and just
[35:27] give it a lovely massage.
[35:30] That's such a good idea, isn't it?
[35:34] Very good. And then just right to under
[35:39] the ears.
[35:41] Under the ears.
[35:43] As obviously we have teachers here
[35:46] within this wonderful shift network who
[35:50] really hone in on this. the the vagus
[35:52] nerve of course, the lymphatic system
[35:56] and how that all really
[35:59] is more important that we can possibly
[36:01] imagine, how it connects us to the vagus
[36:03] nerve.
[36:05] And then [music] just coming around
[36:06] massaging the face
[36:12] and just open up the mouth a little bit.
[36:16] You may just want to make a bit of sound
[36:17] there.
[36:21] Yeah,
[36:32] [sighs]
[36:32] that's good. And [music] if you feel to
[36:35] just tap on the crown just to wake up
[36:38] the crown chakra
[36:43] and we're sitting still and so on. But
[36:45] just coming round to the shoulders
[36:48] around the outside of the arms. Just
[36:50] tapping right down to the hands inside
[36:54] and out and across. Ah,
[37:00] [laughter]
[37:02] and then around the outside of the arm,
[37:05] your other arm and the inside. And we
[37:07] could do this for a few hours, but
[37:09] unfortunately, we only have just a few
[37:11] minutes. [laughter]
[37:13] So, and again, just rotating the
[37:16] stomach. And I'm just at this point just
[37:19] going to um bring in a little bit of
[37:22] sound from my best friend known as a
[37:26] harmonium.
[37:30] So [music] just allow yourself now to be
[37:33] aware of this vertical axis.
[37:39] And this [music]
[37:40] if you like
[37:43] although it's only recently that I've
[37:45] really come to consciously call it that
[37:47] [music] is a medicine song.
[37:51] And it's [music] doesn't go anywhere. It
[37:54] stays here and it just moves a little
[37:56] bit [music] down.
[38:03] >> [music]
[38:04] >> And you might recognize that motion of
[38:24] beautiful. Let's just [music]
[38:26] so we what we can do is the these these
[38:29] three notes which [music] literally
[38:31] circle around the source note the
[38:34] unchanging note that you can hear
[38:37] are used a lot in vadic [music] ancient
[38:40] vadic mantric charting and a very dear
[38:43] friend of mine Dr. TMBBE in India
[38:46] [music] gave over many years to uh
[38:49] exploring how Indian mantra
[38:52] is the most powerful force for healing
[38:56] [music]
[38:57] healing through the voice.
[39:02] So you can being [music] a westerner you
[39:04] can add
[39:07] beloved [singing]
[39:11] source. [music]
[39:18] By your grace
[39:25] I [singing] am [music]
[39:28] alive.
[39:30] life
[39:32] [music]
[39:34] beloved
[39:36] source. [music]
[39:42] By [music and singing] your grace
[39:49] I am
[39:52] alive [music]
[39:57] [singing]
[39:59] source [music]
[40:05] by your grace [singing]
[40:11] I am [music]
[40:15] alive.
[40:17] [singing]
[40:51] And so
[40:53] it's the silence
[40:57] that is the healing.
[41:05] >> Beautiful. It's the alchemy of the two
[41:07] though, isn't it? Of course,
[41:10] because what that unchanging note is
[41:13] doing is holding this witnessing mind
[41:17] presence. So,
[41:20] and that of course is what activates
[41:22] this deepening awareness that takes us
[41:24] beyond
[41:26] the ordinary mind.
[41:30] >> Well, beautiful. And I want to just ask
[41:33] a few questions about that practice. So
[41:35] all of this sort of like physical
[41:36] warming up of your body um we often
[41:39] associate more voice or medicine just
[41:42] just more localized here but you're
[41:44] really designing this as more of a full
[41:47] body activation it seems
[41:49] >> absolutely essential I mean it's
[41:51] pointless without it I mean because
[41:53] otherwise it's not pointless without it
[41:55] uh but it is uh absolutely essential
[41:59] let's be clear um and obviously
[42:04] All of us have our own ways of you know
[42:07] energizing the body and so on. [snorts]
[42:10] Um there is there are various practices
[42:12] that we can do. There's a lovely
[42:14] practice that I'd love to share with you
[42:16] which just really in a in a while maybe
[42:19] not immediately now but that um helps us
[42:23] to connect the physicality
[42:26] with
[42:28] the voice itself. you know, um, we could
[42:32] do it now if you like.
[42:33] >> Sure. Since it's up.
[42:36] >> So, just absolutely shaking
[42:41] shaking the body, having a good shake
[42:43] all over. And that uh tapping that we
[42:46] were doing can carry on right down
[42:50] right down to the feet and up again and
[42:54] so on. Yep.
[42:58] So just to follow on from and just to
[43:02] remember the silence that we've just
[43:04] experienced
[43:06] to another way of accessing that um as a
[43:10] medicine song is simply to take the the
[43:16] sound of the M the ancient the a
[43:19] and to bring your right hand around your
[43:22] left thumb
[43:24] and so that you've got a very solid
[43:27] rooted feel.
[43:32] [sighs and gasps]
[43:34] And what you can then do, Stephen, is
[43:36] just open out
[43:39] and right up.
[43:42] Reach for your highest ideal
[43:46] and bring it down down through the
[43:49] center of your body like two wings
[43:51] closing. And then you come back to the
[43:54] right hand around the left thumb.
[43:56] closing down.
[43:59] Okay.
[44:02] And then what you can do is to just take
[44:05] one sound.
[44:11] [screaming]
[44:15] [singing]
[44:38] So that is taking the three seed sounds
[44:43] of the
[44:45] Am
[44:49] is our attention to the external
[44:52] internal world. Ooh is our attention to
[44:55] dreaming and the psychic world.
[44:59] M is our attention to dreamless sleep.
[45:04] And we come back to nothing again. And
[45:07] that can be shared as two sounds. You
[45:11] can just open into the
[45:13] [singing]
[45:15] and then take another breath. And as
[45:18] you're closing down the center of the
[45:20] body,
[45:24] [singing]
[45:43] that Steven brings us to another
[45:45] exercise if I may share. it
[45:49] uh which is a little bit more funky.
[45:52] It's a little bit more um
[45:57] just improvised if you like. Okay. So
[46:01] that's very much how we love to work is
[46:04] you know really drawing from these
[46:07] ancient practices and bringing in energy
[46:10] movement with these extraordinary sacred
[46:14] mantras and sounds of all kinds and then
[46:17] to go okay
[46:21] how do I feel?
[46:24] How do I feel?
[46:26] you know, and how does that sound?
[46:33] And it's very good to do that practice
[46:35] when you've done, you know, quite a bit
[46:37] of just embodying your sound with the
[46:41] silence and then doing some energy
[46:44] movement work, of which there's much
[46:47] more.
[46:48] and then to just relax and have a good
[46:52] shake of the body,
[46:56] you know, and to start [snorts] a bit of
[46:59] self inquiry.
[47:01] Um,
[47:02] and that's where it gets very
[47:04] interesting
[47:06] because what tends to happen is that if
[47:11] you ask somebody how do they feel about
[47:13] their voice,
[47:16] you're likely to get immediately quite a
[47:19] kind of negative response
[47:22] uh or a you know vote of no confidence
[47:24] response. Whereas if you ask somebody
[47:27] after they've done these practices a
[47:29] little bit, how do you feel about your
[47:33] voice and how does that sound?
[47:36] You can then do a one breath, one voice
[47:40] exercise.
[47:43] And this somatic this threepart somatic
[47:48] uh practice that I want to share with
[47:49] you uh is very much it is so simple and
[47:54] it's so accessible to absolutely
[47:57] everyone.
[47:59] And so all you do is you uh there are
[48:04] two ways of doing this. One is to ask
[48:07] yourself, how do I feel
[48:11] and how does that sound?
[48:14] But not just that, what quality of
[48:17] silence
[48:18] does the voice leave behind?
[48:21] Okay. And again, it's the silence that
[48:25] gives us so much information as to what
[48:29] the nature of the healing is.
[48:32] >> [snorts]
[48:33] >> And very often the body will sing itself
[48:36] and that's a whole other conversation.
[48:39] Um it will sing itself into its own
[48:42] coherence
[48:44] which is amazing.
[48:47] Uh and this somatic practice let's just
[48:50] stay with that a moment because
[48:56] just want to ask you first of all Yeah.
[49:02] First question is, what is your name?
[49:08] All right.
[49:10] What's your name?
[49:14] Okay. So, that's a kind of a way in. So,
[49:17] I might say, um, my name is Chloe. You,
[49:21] you didn't think twice about responding
[49:23] to that.
[49:25] And then what would it be like to take
[49:27] the
[49:29] consonants away?
[49:32] So I'm just left not with the structure
[49:34] of that word Chloe
[49:37] but with the energy field of that word
[49:40] oe
[49:42] the the the the the vowels that give it
[49:46] feeling
[49:48] uh that activate the feeling if you
[49:50] like. So without any thought if if I was
[49:53] just to sing Chloe without any ch L
[49:57] right just oie that's all there is
[50:03] OKAY
[50:14] just enjoy. Yeah, just have a go.
[50:18] And you might want to just take your own
[50:21] the the vowels of your own name. So that
[50:23] would be E.
[50:26] Yeah. [sighs]
[50:29] To take the consonants away. What would
[50:32] that be like? And so let's just invite
[50:35] everybody to to do this.
[50:42] And the practice is to listen and just
[50:46] to allow the feeling to
[50:49] sound the voice.
[50:51] So it's allowing you it's it's an act of
[50:54] self-reme.
[50:56] You're you're not performing,
[50:58] you're not entertaining,
[51:02] you know, you're not you're not even
[51:05] doing any kind of psychotherrapeutic
[51:07] in-depth investigation. It's just
[51:12] Oh.
[51:22] Oh. We
[51:30] Oh.
[51:48] Do you want to have a go Stephen so we
[51:50] can hear you? Be lovely.
[51:53] [laughter]
[51:53] >> I was muted. I didn't want to override.
[52:09] Well, it's interesting. Already you've
[52:12] given me something as in [music]
[52:17] I think we were there.
[52:20] So if I was just to add this,
[52:27] >> can you start to hear listen in more
[52:29] deeply to who is singing
[52:32] or who is sounding should we say?
[52:51] Yeah.
[53:11] >> How's that?
[53:12] >> Yeah, it's starting. Well, I start to
[53:14] settle more like as I close my eyes and
[53:16] kind of come back at myself and less
[53:18] trying to project and more actually
[53:20] trying to just enjoy the sound as it's
[53:22] moving.
[53:23] >> Yeah, exactly. Exactly. I mean, I think
[53:26] probably I can really hear it's
[53:29] beautiful. Um, how would you describe
[53:32] the energy of that or the emotion or the
[53:35] feeling of it? Where do you feel it in
[53:38] the body? Where do you feel it in your
[53:39] body? I
[53:40] >> definitely feel it more in the heart
[53:41] area. Mhm.
[53:42] >> It's interesting. It made me just on a
[53:44] thought level think about like how I've
[53:46] identified a little bit more with the
[53:47] consonants and the like the vowels are
[53:49] sort of like the fillers versus like the
[53:52] vowels are the essence and the
[53:54] consonants kind of are like bookends or
[53:56] something.
[53:58] >> Yeah. Isn't that interesting? That in
[54:00] itself is fascinating, isn't it? Because
[54:02] they're so interdependent, aren't they?
[54:04] >> [clears throat]
[54:05] >> Um, and and there's no question that the
[54:08] the if you think of Italian,
[54:14] you know, you that that kind of, you
[54:16] know, it's all about the vowels and it's
[54:18] all about coming, you know, and that's
[54:21] what your it sounded it was almost if I
[54:24] was hearing your Italian ancestors or
[54:26] something, but it's like if you were to
[54:28] actually consider doing that for half an
[54:30] hour, for um 30 minutes, Right. Uh that
[54:36] would be you'd probably find yourself in
[54:39] quite a new
[54:42] place within yourself because for me the
[54:44] consonants they're like the masculine
[54:45] and feminine to a large degree
[54:48] >> you know and so they they are so
[54:51] interdependent you know um and they it
[54:56] all matters. It all matters doesn't it?
[54:58] I think it's a fascinating exercise also
[55:00] just because you know we've probably
[55:02] heard our name almost more than any
[55:04] other word and it's like our identity is
[55:06] built around this name and to kind of
[55:08] like enter into a different relationship
[55:10] with it through the vowels. It's like oh
[55:13] that's interesting that your name is a
[55:14] portal into our deeper essence too.
[55:18] >> Absolutely. Absolutely. Well, that can
[55:20] then take you into deeper states of, you
[55:22] know, nada yoga practice, the ancient
[55:24] practice of sound when you're just
[55:27] singing the primordial sound. Um, and if
[55:33] you were to really take that to a very
[55:36] deep place, you'd find yourself sounding
[55:40] for
[55:41] three hours without stopping. Just the
[55:43] one unchanging note.
[55:47] And I cannot in I cannot recommend it
[55:50] enough. It's it's quite extraordinary
[55:52] what that does when you take the melody
[55:56] lines away. Uh you take, you know, the
[56:00] all the other things I should be doing
[56:01] away,
[56:03] you know, and you're just in this
[56:05] present moment with yourself,
[56:08] you know.
[56:09] I used to we used to do that a lot more
[56:12] and I'm I can feel it coming back again
[56:15] uh in my life now with people
[56:17] particularly as people are so jagged and
[56:22] you know afraid and too much driven by
[56:25] what what they're watching on the news
[56:26] and so on. Um I've stopped watching the
[56:29] news. Uh I just am enjoying
[56:33] uh you know deepening my connection with
[56:35] in-person community here
[56:38] >> and it's quite extraordinary how many
[56:41] people are being galvanized towards
[56:44] singing just sounding and singing. We
[56:47] have more choirs in this area than I've
[56:49] ever come across, you know,
[56:51] >> and so now, yeah. So,
[56:53] >> yeah, I'd love to share a little bit. I
[56:55] know we're going to be diving deeper
[56:56] into the practices in your upcoming
[56:58] course. So, just a little bit about what
[56:59] you've seen as people do this opening to
[57:02] their own medicine, which in some ways
[57:04] less about song and just more like the
[57:05] vibrational essence moving through you
[57:07] in kind of more fully embodied ways.
[57:09] What do you what do you see? How does
[57:10] their life tend to change?
[57:12] >> Yeah. Well, it's it can change quite
[57:16] dramatically. In other words, it uh the
[57:18] suffering element of one's life which is
[57:21] so much identified with a dualistic
[57:23] polarized way of thinking all the time
[57:26] which is obviously as we all know is
[57:28] very leftbrain driven. Um it just
[57:32] balances it balances all the brains in
[57:34] the body you know and the coherence in
[57:36] the body uh in such an extraordinary way
[57:40] that it makes one revision the purpose
[57:43] of suffering
[57:45] you
[57:45] >> know uh and also how one's own
[57:49] biological narrative has been really
[57:53] radically instrumental
[57:55] you know however terrible it was in
[57:59] empowering us to find Our voice, our
[58:01] true voice, our, you know, the voice of
[58:05] the soul, not the voice of the brain and
[58:07] the one that wants to be seen to be
[58:09] believed, but the one that really wants
[58:13] to
[58:14] return home to itself, to remember
[58:17] itself. It really is a journey of
[58:18] self-rememance
[58:20] and therefore a very transformative
[58:22] journey because you are literally going
[58:25] beyond your normal attachment to the
[58:28] security of form that you experience in
[58:31] everyday life you know our attachments
[58:34] to you know even the coffee machine
[58:37] [laughter] dare I say you know and so
[58:40] it's it's it's quite fascinating that it
[58:44] rebalances our
[58:46] relationship ship between form and
[58:48] formless, between visible and invisible,
[58:51] between our concepts of life and death
[58:54] even you know um so many people I mean
[58:57] I've worked with people of the most
[59:00] untold suffering you know in prisons
[59:04] um New York high security prison um
[59:07] mcgalbury prison in Belfast in Ireland
[59:11] and um just ordinary human beings like
[59:13] you and me you know who are so busy
[59:17] trying to get it right, [laughter] you
[59:20] know, so busy trying to be successful,
[59:24] trying to be somebody, you know. Um, and
[59:28] it's exhausting. It's exhausting. Uh and
[59:32] of course this the narratives that we've
[59:36] kind of our biological narratives that
[59:37] we've gone through have actually
[59:40] demonstrated to us once you start
[59:42] investigating more closely we have a
[59:45] practice called the vocal selfportrait
[59:48] where you literally write the story of
[59:50] your voice uh from as early as you can
[59:54] remember right through to present day
[59:58] and it's it basically transformed formed
[1:00:01] my relationship with my mother. You
[1:00:03] know, I was busy interpreting her at
[1:00:05] that time as being, oh, really
[1:00:08] untogether unconscious woman, you know,
[1:00:11] driven by the patriarchy and, you know,
[1:00:14] three children before she was 25 and I
[1:00:16] was the third, you know, all of that
[1:00:17] stuff, you know, and I did this practice
[1:00:21] and I actually did it very deeply. Um, I
[1:00:24] learned to do it with a Japanese
[1:00:27] meditation teacher who
[1:00:29] required me to sit behind a screen
[1:00:31] actually for [laughter]
[1:00:33] 3 days to investigate with in with great
[1:00:37] detail every single action in my life
[1:00:40] that created reactivity, that created
[1:00:43] reaction, that created blame, you know,
[1:00:46] obstacle. Um, that created my story
[1:00:50] about my special suffering, you know.
[1:00:53] And I mean I say that that sounds quite
[1:00:55] harsh perhaps, but I think it's really
[1:00:59] important that we as human beings
[1:01:01] actually understand that this singular
[1:01:05] voice, the voice of your soul
[1:01:08] has the most extraordinary capacity to
[1:01:11] draw on the riches of the challenges
[1:01:15] we've had to go through in our lives and
[1:01:18] to sound it out. And it's the process of
[1:01:21] sounding it out and
[1:01:24] really allowing oneself to sound it out
[1:01:27] verbally, non-verbbally, you know, with
[1:01:30] words, with sentences, formlessly,
[1:01:33] inform.
[1:01:35] It's that journey that really brings us
[1:01:38] up against uh, you know, our our most
[1:01:41] major obstacles and sense of self, sense
[1:01:45] of um, I'm not worthy. That was mine.
[1:01:48] I'm so not worthy. You know, I was
[1:01:50] brought up in that. You know how the
[1:01:53] institutional Christianity can be a
[1:01:55] little bit like that. You can get into
[1:01:57] this. There is, you know, I am not
[1:02:00] worthy to gather up the crumbs from
[1:02:01] under thy table.
[1:02:03] >> Jesus wouldn't have said that. He would
[1:02:06] have had you at the table eating, right?
[1:02:09] [laughter]
[1:02:10] Eating well, right?
[1:02:12] um you know but that unworthiness
[1:02:15] brought with it its own alchemical
[1:02:18] worthiness and the worthiness came
[1:02:20] through the voice. I mean I would not
[1:02:22] have found it I don't think any other
[1:02:23] way because I was busy being
[1:02:25] intellectual going to Cambridge and
[1:02:27] trying to behave you know but actually
[1:02:31] uh it wasn't until I realized how worthy
[1:02:34] I I am you know and it was the voice
[1:02:36] that brought me there it insisted it
[1:02:39] sent me off to India it made me dream
[1:02:41] about the heart sutra you know it made
[1:02:44] me connect with my master you know it
[1:02:47] made me
[1:02:49] embody in other I was far too etheric,
[1:02:52] right? I was just like,
[1:02:54] [sighs and gasps] it's all about this
[1:02:56] [laughter]
[1:02:57] and uh no, not at all, you know. So,
[1:03:04] it's the narrative, the biological
[1:03:06] narrative is a and is is a core part of
[1:03:09] the journey. It's a really core part of
[1:03:11] the journey. And that nada yoga is a way
[1:03:15] of completing if you like 10 years
[1:03:19] psychotherapy in 5 days
[1:03:21] >> you know
[1:03:23] >> really inspiring well this work is super
[1:03:24] inspiring and also really fun Chloe so
[1:03:27] it's it's a lot of fun
[1:03:28] >> wonderfully liberating and it's amazing
[1:03:30] how just something as simple as your the
[1:03:32] vowels of your name can be a portal into
[1:03:34] a whole deeper dimension of yourself.
[1:03:36] So, let's talk about your upcoming
[1:03:38] course, which is a remarkable way to
[1:03:40] dive in there with you and really get
[1:03:41] the the essence of these practices,
[1:03:44] these openings, these healings um of the
[1:03:46] medicine song. So, we're really blessed
[1:03:48] that Khloe's agreed to teach this
[1:03:49] groundbreaking new course. It's called
[1:03:51] Medicine Songs for Your Soul's
[1:03:52] Expression. Awaken the awaken the
[1:03:55] healing power of your voice to release
[1:03:56] emotional blocks and liberate your
[1:03:58] authentic self. You can find at the URL
[1:04:00] medicine foryous soul.com. medicine
[1:04:03] songs foryousoul.com.
[1:04:05] You don't need to be a singer for this
[1:04:07] program. There are no prerequisites.
[1:04:08] It's really um just if you feel called.
[1:04:10] And so Khloe, I'd love for you to share
[1:04:12] some of your intentions for what people
[1:04:14] will come away with and we'll give a
[1:04:15] brief tour of the modules and what
[1:04:16] you'll be teaching.
[1:04:18] >> Well, absolutely. I mean, it's very much
[1:04:20] about the embodiment. It's about the
[1:04:22] deep listening and it's about making
[1:04:25] that deep dive into your own language of
[1:04:28] your soul. The language of
[1:04:30] consciousness. I call it the language of
[1:04:31] consciousness that is your soul. And
[1:04:34] that involves really embodying your
[1:04:36] voice in this incredible resonant
[1:04:40] chamber that is your human body. You
[1:04:42] know, it is phenomenal as a resonant
[1:04:45] chamber. So, it's remembering it as a
[1:04:48] chamber of resonance. Uh, and then
[1:04:51] making and discovering you have the
[1:04:53] power and the capacity to make these
[1:04:55] songs yourself and to let them transmit
[1:05:00] into the world around you. That's that's
[1:05:02] the purpose. And then we have further
[1:05:05] practices that take us into what we call
[1:05:07] the singing field that then take you and
[1:05:10] really explore how you can really build
[1:05:13] fields of consciousness, conscious
[1:05:15] language around you where you live,
[1:05:18] wherever you are in the world.
[1:05:20] >> Yeah.
[1:05:20] >> Beautiful. Well, module one is called
[1:05:22] awaken your secret voice. Reconnect with
[1:05:24] your natural voice and express yourself
[1:05:26] more freely.
[1:05:27] >> Yes. Absolutely. Well, that's there it
[1:05:30] is. is discovering that secret, you
[1:05:32] know, I mean, very often we lose it when
[1:05:34] we're about three or four years old. Uh,
[1:05:36] and there it is. It's back, you know,
[1:05:38] and it's really exploring the sacredness
[1:05:42] of secret, you know, secret and sacred
[1:05:45] uh are the same word essentially. So,
[1:05:48] it's really connecting, reconnecting
[1:05:50] with your own divinity at source. That's
[1:05:53] that's number one. And that comes with
[1:05:55] with this connection with the self, with
[1:05:58] the silence and with the unchanging
[1:06:00] note. Very important.
[1:06:02] >> Module two, empower your resonant voice.
[1:06:05] Let your voice flow naturally and
[1:06:07] powerfully.
[1:06:08] >> Yes, absolutely. Well, again, it's
[1:06:10] deepening the resonance all the way.
[1:06:14] It's really letting that resonance just
[1:06:17] practicing, practicing, practicing, uh,
[1:06:19] and letting that resonance really start
[1:06:21] to move through you. And each time each
[1:06:24] of these modules by the way I will be
[1:06:25] introducing uh a medicine song. I don't
[1:06:28] want to say what they are right now. Um
[1:06:30] but they will be each module will be
[1:06:32] accompanying uh accompanied by a
[1:06:35] resonant song. And this particular
[1:06:38] module two is focusing on the this
[1:06:42] extraordinarily powerful mantra of the
[1:06:45] audra
[1:06:51] for um realization actually you know and
[1:06:55] for realization to be a really simple
[1:06:57] thing. [sighs]
[1:06:59] >> Module three embody your emotional voice
[1:07:01] transform emotional blocks into
[1:07:03] authentic expression. Yeah, absolutely.
[1:07:07] Well, it's the it's this emotional voice
[1:07:10] that we have to discover or rediscover,
[1:07:13] I should say, that is really um a cover
[1:07:18] up, right, on the part of the the left
[1:07:21] brain, you know, or the personality
[1:07:22] voice um for your soul voice. And so uh
[1:07:29] and that means accessing the voice of
[1:07:31] much deeper states of human feeling and
[1:07:34] the emotions if you like of the surface
[1:07:37] energy of the voice. And what we're
[1:07:38] having to learn to do is to make that
[1:07:41] connection into deeper states of human
[1:07:44] feeling. And that's where we get into
[1:07:46] the alchemy of emotion actually you know
[1:07:49] how longing for example I spoke about at
[1:07:52] the beginning arises from depression you
[1:07:55] know and how you know happiness and
[1:07:58] sadness are actually interconnected
[1:08:00] and once you start to hear the sound of
[1:08:03] these uh different emotional states you
[1:08:06] can start to hear the corresponding
[1:08:08] forces of that state. So, for example,
[1:08:11] if you say, "Oh, I feel really afraid."
[1:08:14] You know, that that's the biggest
[1:08:15] contrip on the planet that we've been
[1:08:18] brought up with. Um cuz if you think of
[1:08:22] fear, whenever I ask somebody, try this
[1:08:24] yourself, everybody. Um when you think
[1:08:27] of the word fear, just do the practice
[1:08:29] we've just done and what does fear sound
[1:08:33] like? Right? And just do the practice.
[1:08:36] Get into a good listening state.
[1:08:38] Practice without any thought. What does
[1:08:40] fear sound like? And then let the
[1:08:42] silence follow and see what happens.
[1:08:45] What we're what I'm finding more and
[1:08:47] more deeply as we practice this is the
[1:08:50] alchemy of fear with awe, with wonder.
[1:08:54] It's just it is so it's such powerful
[1:08:57] energy. Fear, you know, it's like
[1:08:59] centuries of of um repression uh and and
[1:09:04] of of of believing that that we we have
[1:09:07] to live in fear, you know. Uh, and so
[1:09:10] we're going to release that one. We're
[1:09:11] not having that.
[1:09:12] >> Beautiful. Module four, ignite your
[1:09:15] intentional voice. Live your truth and
[1:09:17] honor your and honor your personal
[1:09:18] calling.
[1:09:20] >> Right. This has been a really important
[1:09:22] one for me. I should tell you and I just
[1:09:24] really want you to know I am so in this
[1:09:26] journey with you because it's such an
[1:09:29] amazing journey and I'm just so excited
[1:09:31] to share with you. But for me, intention
[1:09:33] has been really challenging in my own
[1:09:35] personal life. Um because I was busy
[1:09:38] being so etheric and hearing all this
[1:09:40] sound as this kind of I didn't have time
[1:09:42] to think about well how are you going to
[1:09:43] land that? How are you going to actually
[1:09:45] you know make that work in the world? Um
[1:09:48] and so the intentional voice is
[1:09:51] essential. It is imperative.
[1:09:53] And particularly now, of course, more
[1:09:56] than ever in the world, we realize as we
[1:09:59] as we're entering a whole new field and
[1:10:02] of consciousness in the world, intention
[1:10:06] to really step up to really live our
[1:10:09] conscious
[1:10:10] uh commitment to what it means to be
[1:10:13] fully human. So, intention, big yes to
[1:10:16] that. There's some serious songs that go
[1:10:18] with that.
[1:10:20] >> Module five, remember your soul voice.
[1:10:22] experience your voice is healing
[1:10:24] medicine and inner connection.
[1:10:26] >> Right. Well, that is
[1:10:30] one of the great blessings for me module
[1:10:31] 5 [laughter] because [snorts] it is
[1:10:35] really it's it's like a homecoming for
[1:10:38] me. It's when you experience your soul,
[1:10:40] when you really experience it and it
[1:10:42] doesn't leave you. It doesn't come and
[1:10:43] go anymore, you know? It's always there.
[1:10:46] Uh your connection with it, it's it's
[1:10:49] the homecoming. It's it's it's
[1:10:51] beautiful. And the the medicine songs
[1:10:53] that go with that really invite you to
[1:10:57] really take responsibility
[1:11:00] uh you know for your own soul's journey
[1:11:02] and the voice that is required to really
[1:11:06] live your full your soul journey in
[1:11:09] fullness.
[1:11:11] >> Module six embrace your medicine voice
[1:11:14] trans bring its transforming power into
[1:11:15] your life in the wider world.
[1:11:18] >> Well that kind of explains itself
[1:11:20] really. Uh that's really what's going on
[1:11:22] there. And uh it's really looking at how
[1:11:27] you it feels most authentic for you to
[1:11:30] share this work with others. It could be
[1:11:32] just your family or a child or your
[1:11:34] grandmother, you [snorts] know. Um or it
[1:11:37] could be in the wider field of your
[1:11:39] community life. I would I would love to
[1:11:41] encourage that. But it just depends what
[1:11:44] your soul is calling for. and your soul
[1:11:47] will dictate uh just exactly what
[1:11:52] the light, your candle's light, your
[1:11:54] inner candle's light is calling for you.
[1:11:58] >> And finally, module seven, your medicine
[1:12:00] voice as soul friendship. Embody your
[1:12:02] full spectrum voice as a language of
[1:12:04] consciousness.
[1:12:06] >> Yeah. Well, that's that's really it. And
[1:12:08] that's where um we really enter what
[1:12:12] some of you will be familiar with um the
[1:12:15] absolute core
[1:12:18] vision of my life is the singing field.
[1:12:20] Um and I've shared that in previous um
[1:12:23] shift courses. Uh but I can't help that
[1:12:26] because I just I'm I feel like I'm a
[1:12:27] walking singing field now. So [laughter]
[1:12:29] I I just have no choice but to um
[1:12:33] encourage uh the principles and the
[1:12:36] practices that accompany finding your
[1:12:38] own soul voice, sharing it with others,
[1:12:41] and discovering that you have the
[1:12:43] capacity to create your own medicine
[1:12:45] songs is incredibly healing, you know,
[1:12:48] and it doesn't involve lots of external
[1:12:52] props, doesn't involve anything. It's
[1:12:54] just your inner life that is expressing
[1:12:57] in a whole new way uh outwardly in the
[1:13:00] world around you. And of course that
[1:13:02] means energetically
[1:13:04] uh in terms of your own field of
[1:13:06] resonance as well. So it's it's a very
[1:13:11] joyous journey. I'm can't wait to start.
[1:13:14] [laughter]
[1:13:16] >> Well, what a beautiful journey and I
[1:13:17] know you're also just such a dynamic and
[1:13:19] fun and empowering teacher to be with.
[1:13:21] So again, there's more detail on each of
[1:13:23] the modules at medicine songs foryous
[1:13:25] soul.com.
[1:13:26] If you choose to move forward um on a
[1:13:28] practical level, you get the seven
[1:13:29] 90-minute uh sessions with Khloe, which
[1:13:32] includes time to do practices together,
[1:13:34] have your questions addressed. She'll be
[1:13:36] teaching. There's recordings of every
[1:13:38] session, both video and audio, as well
[1:13:40] as word forword transcripts. There
[1:13:42] weekly practices you can do at home.
[1:13:44] There are community groups, community
[1:13:46] group to support you and deepen your
[1:13:48] experience as well as small group time
[1:13:49] to connect with other participants. And
[1:13:52] on the page, you'll see Khloe's also
[1:13:53] been uh generous with a number of extra
[1:13:55] bonuses as well. And uh I think the
[1:13:58] first one's particularly exciting. It's
[1:13:59] a 60inute MP3 album called There Is Some
[1:14:02] Kiss We Want With Our Whole Lives. And
[1:14:04] that's Khloe with Coleman Barks, who's
[1:14:06] one of the most renowned Roomie
[1:14:07] translators. Want to share more about
[1:14:09] that?
[1:14:10] >> Oh, it's it's a lovely it's a lovely
[1:14:12] story actually. We we both discovered we
[1:14:14] both written a book with Naked in it. So
[1:14:17] he'd written a book called Naked Song
[1:14:18] and I'd written a book called The Naked
[1:14:20] Voice. And I I literally contacted him
[1:14:22] for permission to um set his poems to
[1:14:26] music. And [clears throat] uh yeah, and
[1:14:30] and so that's how we met. Uh and he I
[1:14:33] just got this wonderful message back
[1:14:34] from him saying uh fly naked with the
[1:14:38] with your voice, with the with the naked
[1:14:40] songs and with the poems. Um and then we
[1:14:42] finally met and started touring
[1:14:44] together. So it was very very special
[1:14:46] and it was really with Coleman that I
[1:14:48] started to learn how to collapse the
[1:14:50] dimensions really between speaking
[1:14:52] mystical language. You know how that
[1:14:55] really requires you to collapse the
[1:14:57] dimensions between speaking and singing
[1:14:59] and silence. So that really is the
[1:15:01] ground of our work together. Um is to
[1:15:05] learn how to do that those three rounds.
[1:15:08] Yeah. Next, there's a second bonus
[1:15:11] that's a 205 page ebook. It's on the
[1:15:14] naked voice, a singer's journey to the
[1:15:16] spirit of sound. Share more about your
[1:15:18] ebook.
[1:15:19] >> Yeah. Well, that book actually is the
[1:15:21] first book I ever read, wrote rather.
[1:15:25] Um, and it's this one. This is what I
[1:15:27] looked like when I started out on this
[1:15:29] journey. Um, and uh, it's uh, it's a
[1:15:33] book that seems to be becoming more
[1:15:35] popular again, which is I'm so happy
[1:15:37] about, but I want you to have it uh, for
[1:15:39] free because what it does is it gives
[1:15:40] you a background for my story uh, into
[1:15:45] this work. It gives you a deep dive into
[1:15:47] that uh, and how I ended up finding my
[1:15:50] own medicine voice.
[1:15:53] >> Beautiful. That's very generous to give
[1:15:55] the whole book. And then [clears throat]
[1:15:57] there's one final bonus you get if you
[1:15:59] sign up by midnight tonight Pacific
[1:16:00] time. We like to do this as a little act
[1:16:02] extra act of generosity for those who
[1:16:05] choose to move forward right away. And
[1:16:06] this is actually two archived audio
[1:16:08] tracks from Khloe called Sheer Joy and
[1:16:10] Freedom. Share more about those. That's
[1:16:12] special bonus for [laughter]
[1:16:15] >> I love those two. I I think particularly
[1:16:17] why we felt to choose them for this
[1:16:19] particular purpose is because they're
[1:16:21] quite anthemic. Uh and so you'll find
[1:16:24] they've got a lot of voices. Um, so I I
[1:16:26] I love recording with lots of voices and
[1:16:29] um I have this image of choirs like
[1:16:32] murmmorations of birds. Do you know that
[1:16:34] feeling of just choirs learning to
[1:16:37] behave like murmmorations of birds? So
[1:16:40] that's how I like to write music and so
[1:16:42] see what you think. Um they're very
[1:16:44] they're really fun for dancing to but
[1:16:45] also for singing with uh as well. So
[1:16:48] enjoy those. Yeah.
[1:16:49] >> Fantastic. Well, we've it's going to be
[1:16:52] an amazing program. We've kept the
[1:16:53] investment very accessible. is just
[1:16:55] three payments of $128. So, you save 10%
[1:16:58] when you pay in full with one payment of
[1:16:59] $3.49. The course is going to start
[1:17:02] October 21st and run Wednesdays at 9:00
[1:17:04] a.m. Pacific, noon Eastern, but and that
[1:17:06] also works very well for England and
[1:17:08] Europe. But even if you can't make the
[1:17:10] live times, you can still get the full
[1:17:11] value with the recordings, the
[1:17:12] transcripts in the community as well.
[1:17:14] There's some great testimonials on the
[1:17:16] page. People adore uh Khloe and her
[1:17:19] teaching and the way she empowers people
[1:17:21] and helps them open up. There's Nobel
[1:17:23] Peace Prize nominees who endorse her. So
[1:17:26] many people love Khloe and her work. So
[1:17:28] you are in very good hands and you get
[1:17:30] to have the liberation of all the
[1:17:33] practices that she has developed and
[1:17:35] cultivated over the years. So again,
[1:17:38] it's called medicine songs foryous
[1:17:40] soul.com. medicine songs foryous
[1:17:42] soul.com and the program is medicine
[1:17:44] songs for your soul's expression. Awaken
[1:17:46] the healing power of your voice to
[1:17:47] release emotional blocks and liberate
[1:17:49] your authentic self.
[1:17:51] So, Chloe, uh, anything that's still on
[1:17:53] your heart you want to share with folks
[1:17:55] who are still considering whether to
[1:17:56] join you for the program?
[1:17:58] >> Well, just these words, Stephen. Um, and
[1:18:03] this is just called the house of song
[1:18:05] and it's just called I am a musician
[1:18:09] ship.
[1:18:11] The tongue is the rudder of the voice.
[1:18:15] The voice is the messenger of the heart.
[1:18:19] The heart is the music of the soul. The
[1:18:23] soul is the presence of the spirit. The
[1:18:27] spirit is the ground of consciousness.
[1:18:32] Sound
[1:18:33] is the unifier of the body, the soul,
[1:18:38] and the spirit.
[1:18:42] >> Gorgeous.
[1:18:44] Thank you, Chloe. Thank you all for
[1:18:46] joining and we look forward to many of
[1:18:48] you in the upcoming program and you I'm
[1:18:50] sure you will be very blessed if you
[1:18:52] choose to do so. As again it's all
[1:18:53] medicine songs foryous soul.com.
[1:18:56] >> Big thank you to you Stephen and to
[1:18:58] Shift Network. Big thank you.
[1:19:21] >> [music]
[1:19:32] [music]
[1:19:42] [music]
[1:19:47] [music]
[1:19:57] [music]
[1:20:06] [music]
[1:20:12] [music]
[1:20:18] >> Oh.
[1:20:19] >> [music]
[1:20:29] [music]
[1:20:39] [music]
[1:20:48] [music]
[1:20:52] [music]
[1:20:58] [music]
[1:21:04] [music]
[1:21:12] [music]
[1:21:23] [music]
[1:21:27] >> Please.
[1:21:30] [music]
[1:21:37] [music]
[1:21:43] >> [music]
[1:22:16] [music]
[1:22:26] [music]
[1:22:31] [music]
[1:22:45] >> Hallelujah. [music]
[1:23:01] Hallelujah.
[1:23:10] [music]
[1:23:16] >> [music]
[1:23:22] [music]
[1:23:29] [music]
[1:23:40] >> Peace.
[1:23:41] >> [music]
[1:23:47] [music]
[1:23:54] [music]
[1:24:01] [music]
[1:24:07] >> Oh, [music]
[1:24:19] [music]
[1:24:25] [music]
[1:24:27] heat.
[1:24:31] [music]
[1:24:42] >> [music]
[1:24:49] [music]
[1:25:05] [music]
[1:25:11] [music]
[1:25:16] [music]
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[1:25:37] [music]
[1:25:45] [music]
[1:25:52] >> Heat.
[1:25:58] [music]
[1:26:05] [music]
[1:26:09] Heat.
[1:26:17] >> [music]
[1:26:30] [music]
[1:26:39] [music]
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[1:27:06] [music]
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[1:28:14] [music]
[1:28:32] [music]
[1:28:43] [music]
[1:28:48] >> You are
[1:28:59] [music]
[1:29:03] me.
[1:29:14] >> [music]
[1:29:20] [music]
[1:29:31] [music]
[1:29:39] [music]
[1:29:44] [music]
[1:29:51] [music]
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[1:30:20] [music]
[1:30:27] [music]
[1:30:35] [music]
[1:30:43] >> Please.
[1:30:46] [music]
[1:30:52] [music]
[1:31:00] >> [music]
[1:31:17] [music]
[1:31:24] [music]
[1:31:29] [music]
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[1:32:48] [music]
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[1:32:56] >> Being
[1:33:03] [music]
[1:33:05] peace.
[1:33:11] [music]
[1:33:18] >> [music]
[1:33:25] [music]
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[1:33:53] [music]
