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Inspiration

Hanuman Chalisa: Ancient MantraClears Emotional Channels

Krishna Das
Krishna Das
Sep 24, 2026
読了 約7分
視聴 · 7

The Hanuman Chalisa is not a simple devotional hymn, though on its surface it reads as one. It is a surgical instrument disguised as prayer. The 40-verse Sanskrit composition describes the qualities and victories of Hanuman, the beloved deity of the Ramayana, but embedded within its lines is a map of the human nervous system—a blueprint for psychological and spiritual liberation that Krishna Das has spent decades learning to read and teach.

読む · 6セクション

The Story Within the Story

To understand how the Hanuman Chalisa works, we must first understand the narrative it carries. On the literal level, it recounts the events of the Ramayana: how Ravana, the ten-headed demon king, kidnaps Sitha (the beloved of Lord Rama), and how Hanuman, the loyal monkey devotee, becomes the bridge that reunites them and leads the armies of light against the forces of darkness. But Krishna Das points to a far subtler reading. Ravana's ten heads do not represent mere pride—they symbolize the five senses and their five objects, with the ego as the governing force. When the narrative describes Ravana kidnapping Sitha, the shakti (the divine feminine energy), it is describing the ego's attempt to claim and possess what is sacred. Yet there is a cosmic joke built into the myth: unless Sitha consents, Ravana's head will explode into a thousand pieces. Sitha, being the manifestation of divine will, would never consent to anyone but Rama. What appears on the surface to be a violation is actually a teaching about the inviolability of the soul.

Even more remarkably, Krishna Das notes that it is not actually Sitha who is kidnapped in the story. A heavenly apsara, cursed by Indra to take earthly birth, takes her place. The true Sitha withdraws into her subtle form, untouched and unreachable. This cosmology matters. It tells us that what seems to be captured—our essence, our truth—cannot actually be taken. What is bound is only the outer form, the story we inhabit on the material plane.

When Rama Meets Hanuman: The Turning Point

In the forest, wandering heartbroken and without direction, Rama encounters a monkey who introduces himself as the ambassador of the monkey king. This meeting sparks an alliance that becomes the hinge on which the entire narrative turns. Hanuman does not appear as a warrior at first. He arrives as a messenger, a connector, someone who understands both the human and animal worlds—both the rational and the instinctive. When the monkey armies search for Sitha across the earth, they find that only one place remains unexplored: the island of Lanka. Hanuman alone leaps across the ocean, finds Sitha, and returns with news of her location. Without Hanuman's intervention—without that bridge of breath and devotion—the story cannot resolve.

Krishna Das connects this myth to the Ayurvedic understanding of the body. In the ancient Indian medical and spiritual system, Hanuman is not metaphorical. He is prana—the vital life force, the animating energy, the wind god's son who moves through the body. Just as Hanuman is the one who can cross impossible distances and find what is lost, prana is the force that can traverse the subtle body, clearing blockages and restoring wholeness. The Sanskrit term for these subtle channels is nadi. There are said to be 84,000 nadis in the human form, and according to Krishna Das, many of them are blocked not by physical obstruction but by emotional material—by trauma, by stored patterns, by the weight of karma.

The Subtle Body and Stored Trauma

Our programming, Krishna Das explains, lives not in the conscious mind but in the subtle body itself. The nadis hold the memory of our emotional wounds, our likes and dislikes, the triggers that fire without our permission, the reactive patterns we repeat without understanding why. When he speaks of karma, he does not mean punishment. He means the patterns we enact because we have no choice, because the channels through which consciousness flows are so congested that we cannot access the freedom to choose differently. We are, in a sense, kidnapped by our own conditioning.

Maharaji (Ram Dass's guru, Neem Karoli Baba) taught Krishna Das that the Hanuman Chalisa can change fate, can transmute karma, can free us from negative karmic patterns. The mechanism, as Krishna Das understands it now after many years of practice and teaching, is that chanting the Hanuman Chalisa invokes Hanuman as prana within the body. This living prana, activated and called upon through the sacred words, begins to move through the nadis with new force and intention. The emotional material stored in the subtle body—the trauma, the conditioning, the locked patterns—is washed away, opened, and cleared. When those channels flow freely, we regain access to choice. We are no longer enslaved by our unconscious likes and dislikes, our triggers, our automatic reactions.

Every Line as Offering

There is a particular precision required in how one approaches this practice. The Hanuman Chalisa is a long hymn, deliberately difficult to memorize. Krishna Das does not ask practitioners to memorize it—one can read it, sing it, chant it with or without music. But the spirit of the practice is crucial: each line must be offered. He describes the offering like a piece of fruit placed at the feet of the deity, each word and each line a gesture of connection toward Hanuman and toward Maharaji, toward the animating presence of one's own atma shakti, the energy of the soul itself.

Maharaji emphasized that every line of the Hanuman Chalisa is mahamantra—the great name, the name itself. The distinction matters. All names are understood as mahamantra. And through the repetition of the name, Maharaji said, everything is accomplished. This is not mere affirmation or positive thinking. It is the understanding that the name and the named are not separate, that to invoke the name is to invoke the presence, that consciousness itself responds to the call when the call is sincere.

The Relationship Between Difficulty and Benefit

There is a direct correlation, Krishna Das observes, between how difficult a practice is and how much benefit accrues from doing it. Shorter mantras like "Ram" can be repeated 108 times in about a second and a half. The longer, more elaborate mantras—the 108 repetitions of a full phrase—demand sustained attention, breath, and intention. That very effort, that investment of the whole self, generates more shakti. It creates more movement in the heart. The practice is not easy by accident; the difficulty is the delivery mechanism. The longer the mantra, the more the subtle body is asked to engage, the more thoroughly it can be transformed.

In the satsang (spiritual gathering) recorded in Maui during a Ram Dass Legacy Retreat, Krishna Das does not attempt to sing all eleven verses of the Hanuman Chalisa in one session. He sings sections, pauses to teach, sings more. This rhythm honors both the practice and the students. He wants them to feel, not merely to understand intellectually, that they are offering each line, that the chanting is a conversation with a living presence, not an exercise in vocal performance.

Where to Go From Here

For those interested in exploring this practice, the Hanuman Chalisa is widely available in many languages and transliterations. Krishna Das's recordings of it offer one approach; there are many others. The essential requirement is not perfect pronunciation or musical ability. It is the intention to invoke, to offer, to connect. Begin with a few verses if the full 40 feel overwhelming. Sit quietly after chanting and notice what moves in the body, what emotional textures arise, what shifts in the breath. The practice is not about achieving a particular spiritual experience or transcendent state. It is about using the sacred technology of mantra and the archetype of Hanuman—devoted, tireless, crossing impossible distances—to clear the channels through which your own life force can flow more freely. When the nadis are clear, choice returns. When choice returns, freedom begins.

Transcript

[0:24] Um,

[0:28] as you probably know, this is a a hymn

[0:30] to Hanuman.

[0:33] And

[0:34] on the very basic level, what it does is

[0:38] describe

[0:40] many of his qualities

[0:43] uh and many of the events that happened

[0:46] in uh in the Ramayana with Ram and the

[0:49] war against the uh the demons against

[0:53] Ravena. Ra's armies.

[0:57] Ravena represents the ego. He has 10

[1:00] heads which represent the five senses

[1:03] and the objects

[1:05] and the ego kidnaps

[1:09] the shakti

[1:12] because it wants to be it wants the

[1:14] shakti but the funny thing is in the

[1:17] story

[1:19] ravena can't actually

[1:22] uh how to say it

[1:25] get it on with shakti

[1:28] because unless Unless the shakti agrees

[1:30] to it, Ravena's head will explode in a

[1:34] thousand pieces. And of course, Sitha

[1:37] would never agree

[1:39] to uh

[1:42] getting it on with anybody except Rah.

[1:45] And it's a very subtle story. In fact,

[1:48] Sitha, it's not even Sitha who's

[1:50] kidnapped.

[1:52] It's a a heavenly absara, one of the

[1:56] heavenly goddesses who is cursed.

[1:59] by Indra. So she had to take a birth,

[2:03] she had to incarnate on earth and so she

[2:05] switched out with Sitha.

[2:09] It's a really cool story. Most people

[2:11] say, "Oh, how could Ram teach treat

[2:13] Sitha that way?

[2:16] Give yourself a break. Don't get

[2:18] involved with that. It's not like that

[2:20] at all." In fact, like I said, Sitta

[2:23] actually is not kidnapped. She just goes

[2:25] into her subt a subtle form and this

[2:28] other being is kidnapped

[2:31] and um

[2:35] anyhow so Rah is wandering around

[2:40] forlorlorn and brokenhearted. He can't

[2:42] find Sitha. Has no clue where she might

[2:44] be. And in the forest he meets this

[2:48] monkey

[2:50] who shows up and introduces himself.

[2:56] And at that point, Hanuman is the

[2:59] ambassador of the king of monkeys.

[3:03] And he greets Rama. And he he uh

[3:08] because of this an alliance is made

[3:11] between Rama and the monkeys.

[3:15] And all the monkeys go out in search of

[3:17] Sitha and

[3:19] uh they can't find her and there's only

[3:21] one place left on the earth where they

[3:24] haven't looked where they haven't been

[3:25] able to look and that's the island of

[3:28] Lanka which is now called Silang and

[3:30] actually now it's called Lanca again

[3:33] and so finally Hanuman jumps over the

[3:36] ocean and finds Sitha

[3:40] and then comes back and tells Ram where

[3:42] she is and then there's a big battle.

[3:44] and the demons, the negative forces are

[3:48] destroyed.

[3:55] All this there's a a macrocosm and

[3:57] there's a microcosm. All this exists

[3:59] within the body within the human

[4:02] incarnation as well. Hanuman in

[4:05] Ayurveda, Hanuman is considered the

[4:07] prana in the body

[4:11] and he's con he's called the son of the

[4:14] wind the wind god

[4:17] and the wind and prana is the energy in

[4:20] the body

[4:22] and uh that energy is supposed to flow

[4:26] through the 84,000

[4:28] nadis or channels in the body but many

[4:32] of those channels are blocked by our

[4:34] emotional

[4:36] stuff and all kinds of stuff.

[4:50] Maharaji said chanting the Hanaman

[4:53] chalisa can change fate

[4:59] can change karma

[5:02] can free us of negative karmmas.

[5:05] And the way I think about it now after a

[5:08] lot of years of thinking about it

[5:11] is that our emotional stuff is

[5:16] stored in our uh in a subtle body in the

[5:19] nadis and hanuman as the prana

[5:25] can clear out those channels.

[5:29] So for instance you know all our

[5:32] all our stuff our programming is pretty

[5:34] much in our subtle body. All our em

[5:36] emotional traumas our likes our dislikes

[5:40] a lot of karmas are are stored there.

[5:44] And so through through invoking the

[5:46] presence of Hanuman which is prana in

[5:50] the body as well those emotional that

[5:53] emotional stuff is wiped out is washed

[5:55] away opened up and it frees us from a

[6:00] lot of the uh

[6:05] the stuff that we do

[6:07] with no vote because we have no vote.

[6:10] our our likes and dislikes, our

[6:13] emotional triggers and all that stuff.

[6:16] So,

[6:23] so it's a it's a long hymn. It's very

[6:25] difficult to learn it. Uh you don't have

[6:28] to to memorize it. You can read it. You

[6:32] can chant it with or without music. It

[6:34] doesn't have to have music.

[6:37] But when you do this practice,

[6:40] you should definitely

[6:43] feel that you are offering each line to

[6:48] Hanuman, to Maharaji.

[6:50] And that almost like a piece of fruit,

[6:53] like an offering. Each line, every word,

[6:56] every line is a way of connecting with

[7:01] with that

[7:07] atma shaki with the with the energy of

[7:10] your own soul.

[7:17] Every line Maharaji said every line of

[7:19] Hanamanisa is Mahamantra

[7:22] is the name. Mahamantra means the name.

[7:26] All the names are Mahamantra.

[7:30] Period.

[7:33] And uh so all these this whole practice

[7:36] is is the repetition of the name as

[7:38] well. And you know what he said about

[7:40] the name through the repetition of the

[7:43] name everything is accomplished.

[7:47] Yes. That too that too that too

[7:52] everything is accomplished.

[7:56] So, and and and

[7:59] there's a a direct [clears throat]

[8:01] correlation between how difficult a

[8:03] practices and how much benefit you get

[8:06] from doing it.

[8:09] Right? You would figure it would have to

[8:13] be that way. Like the longer mantras, if

[8:16] you do 108 Har Krishna mantras, that

[8:19] takes a while. If you do 108 Rams, you

[8:21] can do it in about a second and a half.

[8:23] You know

[8:25] I remember being in India and these

[8:26] sadhus come up go like

[8:29] give me money give me money make me give

[8:31] give me money money money money money

[8:32] money money money money money money

[8:32] money money money money money money

[8:32] money money money money you know like

[8:34] that doesn't really work but 100 108 guy

[8:39] mantras or 108 mantras with a lot of

[8:41] words that takes and so it generates

[8:45] more shaki as well it generates more

[8:48] movement into your own heart so to speak

[8:51] Bill,

[8:54] do you have the words somewhere? Do you

[8:56] all have the words? Okay, we're we're

[9:00] not going to sing 11 chises because

[9:02] we're not going to. We'll sing a few and

[9:05] then we'll talk a little bit, then we'll

[9:06] sing a few more. Okay.

[9:10] [music]

[9:19] [music]

[9:21] >> [clears throat]

[9:29] [music]

[9:33] >> She

[9:36] [music]

[9:44] [singing]

[9:44] [music]

[9:49] put [singing] in a tunnel.

[9:52] >> [music]

[9:58] [singing]

[9:59] [music]

[10:12] [music]

[10:14] >> Take a peace.

[10:20] [music]

[10:27] [singing]

[10:28] [music]

[10:33] >> [singing and music]

[10:37] [singing]

[10:39] [music]

[10:47] [music]

[10:52] >> Sh. [music]

[10:53] [singing]

[10:58] [music]

[11:01] [singing]

[11:03] [music]

[11:04] I'm God. [singing]

[11:14] >> [music and singing]

[11:18] >> There is [singing]

[11:23] [music]

[11:28] [singing]

[11:29] [music] a

[11:34] >> [music and singing]

[11:38] [singing]

[11:41] [music]

[11:42] >> The king

[11:45] [music]

[11:50] [singing]

[11:52] [music]

[11:55] [singing]

[12:03] >> [singing and music]

[12:07] [singing]

[12:10] >> Fore!

[12:12] [music]

[12:16] [singing]

[12:18] Foreign! Foreign!

[12:21] [music]

[12:23] [singing]

[12:26] [music]

[12:28] [singing]

[12:30] John

[12:33] [music]

[12:33] [singing]

[12:40] [singing]

[12:46] [music]

[12:49] [singing]

[12:50] [music]

[12:56] [music]

[13:00] >> [music]

[13:01] [singing]

[13:07] >> Sharon.

[13:10] [singing]

[13:11] [music]

[13:15] [singing]

[13:18] [music]

[13:24] [singing]

[13:29] I say

[13:37] [music] that [singing]

[13:45] [music and singing]

[13:51] [music] massage.

[13:57] So

[14:00] [music]

[14:02] you [singing]

[14:08] [music]

[14:14] [music]

[14:19] know [singing and music] the data

[14:21] foreign.

[14:26] [music]

[14:29] [singing]

[14:32] [music]

[14:37] [music]

[14:44] [music]

[14:45] [singing]

[14:57] >> [music and singing]

[15:05] [music]

[15:07] [singing]

[15:07] >> Juru

[15:11] [singing]

[15:14] [music]

[15:15] Set the park [singing]

[15:22] [music]

[15:24] [singing] around.

[15:29] [singing and music]

[15:36] [singing]

[15:38] [music]

[15:42] foreign

[15:44] [singing]

[15:46] [music]

[15:49] [singing]

[15:52] [music]

[15:54] [singing]

[16:00] [singing]

[16:01] [music]

[16:07] [music]

[16:08] mort.

[16:13] >> [singing]

[16:15] [music]

[16:18] [singing]

[16:18] >> foreign. [music]

[16:24] [singing]

[16:26] [music]

[16:32] [singing and music]

[16:37] [music]

[16:38] [singing]

[16:43] Fore! Foreign! Foreign!

[16:45] [music and singing]

[16:49] [singing]

[16:52] [music]

[17:01] >> [singing]

[17:02] [music]

[17:04] >> Fore! Foreign! Foreign!

[17:08] [singing]

[17:11] [music]

[17:14] [singing] Foreign

[17:16] [music]

[17:21] [singing]

[17:22] [music]

[17:31] [music]

[17:34] [singing]

[17:40] [music]

[17:40] [singing]

[17:44] Foreign

[17:46] [singing]

[17:48] [music]

[17:52] [singing]

[17:54] [music]

[17:58] [singing]

[18:00] speech. Foreign speech. Foreign speech.

[18:06] [music]

[18:10] >> [singing]

[18:13] [music]

[18:15] [singing]

[18:16] >> She

[18:20] [music]

[18:21] [singing]

[18:24] [music]

[18:27] [singing]

[18:30] [music] just

[18:36] >> [music]

[18:37] [singing]

[18:41] >> at the shore. [music]

[18:45] [singing]

[18:50] [music]

[19:01] >> [music]

[19:02] [singing]

[19:06] [music]

[19:12] [singing]

[19:13] >> Heal your time. [music]

[19:19] [music]

[19:20] [singing]

[19:23] for

[19:26] [music and singing]

[19:34] [singing]

[19:35] [music]

[19:39] [singing]

[19:42] [music]

[19:48] [music]

[19:50] [singing] some

[19:53] >> [music]

[19:58] [singing]

[20:03] [music]

[20:05] >> I said

[20:11] [music and singing]

[20:17] [music]

[20:22] I'm

[20:24] >> [music and singing]

[20:28] [music]

[20:33] >> So [singing]

[20:37] [music]

[20:38] you

[20:43] [music and singing]

[20:45] do

[20:49] [music]

[20:56] [singing]

[21:00] [music]

[21:01] I'm [singing] a

[21:07] >> [music]

[21:13] [music]

[21:14] [singing]

[21:22] >> I [music and singing]

[21:26] thought

[21:29] [music]

[21:30] [singing]

[21:34] [music]

[21:39] [music]

[21:48] [music]

[21:50] the part the Cardiana.

[21:54] [singing and music]

[21:59] [music]

[22:02] [singing]

[22:04] [music]

[22:10] [music]

[22:14] [singing]

[22:18] [music]

[22:22] >> [singing]

[22:23] [music]

[22:29] [singing]

[22:29] [music]

[22:30] >> Changond.

[22:34] [singing]

[22:40] [music]

[22:42] [singing]

[22:46] [music and singing]

[22:49] Oh,

[23:12] so

[23:14] there we were in India,

[23:17] fresh out of New York

[23:21] and

[23:23] we we didn't know what to do.

[23:27] We recognized that there were certainly

[23:29] a lot of cultural

[23:32] stuff that we were just completely

[23:34] unaware of.

[23:37] And more than that, we wanted to get

[23:40] closer to Maharaji. We wanted to feel

[23:43] closer and spend more time with him.

[23:47] And uh but in the early days, he would

[23:51] see us one day and say, "Okay, come back

[23:53] in a week."

[23:55] A week? You know, and what do we have

[23:58] nothing to do back in Nanita? Walk

[23:59] around, get depressed,

[24:02] smoke some dope, you know, not much to

[24:05] do.

[24:07] But um so one day uh where's Romesh? Is

[24:12] he here? No, he's asleep.

[24:13] >> He's right there.

[24:14] >> Oh, you're awake. We came to the temple

[24:17] one day.

[24:18] Every time we came to the temple, they

[24:20] handed us a little a little booklet,

[24:24] yellow booklet with a picture of a

[24:25] flying monkey on it. I had about a

[24:29] hundred of them in my room.

[24:32] And finally one day the light went on

[24:36] and I said, "Hey, what is this?"

[24:40] You think, you know, so the guy said,

[24:43] "Well, it's a it's a hymn to Hanuman."

[24:46] Oh.

[24:48] So

[24:50] we decided we would try to learn it

[24:53] because we knew that if we learned it,

[24:56] we could sing it to Maharaji. and we

[24:59] knew that he secretly wanted to spend

[25:01] more time with the westerners,

[25:04] but he was having trouble arranging it.

[25:06] So, we just thought we'd try to help

[25:07] him.

[25:11] And as it turned out, due to Ramdas's um

[25:17] I don't quite know how to say this.

[25:21] Uh

[25:23] let's let me think about it for a

[25:25] second.

[25:27] Let's let let's be compassionate and say

[25:29] Ramdas's desire to become enlightened

[25:32] faster than the speed of light.

[25:36] We had arranged he had arranged for one

[25:38] of our Buddhist meditation teachers to

[25:40] come spend the whole rainy season with

[25:42] us way further up in the mountains

[25:46] uh in a town called Kosani. And the idea

[25:49] was that three or four of us or five of

[25:51] us were going to and Ramdas we're going

[25:54] to live in this house together with this

[25:56] guy and wham bam thank you ma'am we were

[25:58] going to get enlightened.

[26:02] So

[26:04] what happened was we got up there and

[26:07] then we get a letter from our Buddhist

[26:09] meditation teacher saying sorry can't

[26:11] make it.

[26:13] >> Mother is sick.

[26:14] >> Huh?

[26:15] >> Mother is sick. Yeah, his mother was

[26:17] sick so he couldn't make it.

[26:21] So there we were five hours away from

[26:25] Maharaji

[26:27] for the whole rainy season. And if you

[26:30] think about it, he just transferred us.

[26:32] He just said out move and he moved all

[26:35] the western and then all the westerners

[26:37] that came to the temple, he'd send up go

[26:39] be with Ramdas.

[26:41] So Randas had to actually move out of

[26:43] our house and move across the valley,

[26:46] the little valley into another place

[26:49] where all these other westerners came

[26:51] and it was like uh Ramdas became the

[26:53] baba of another little ashram up there.

[26:57] But we were together in this other

[27:00] little house. So we we learned the Hindi

[27:02] alphabet. We didn't know it. And then we

[27:04] went through this chilisa letter by

[27:07] letter and wrote it out. It took about

[27:10] what? Three months, huh? What? We're

[27:13] still counting, you know. And then uh

[27:16] and then this this guy we met up there,

[27:18] he taught us this melody

[27:21] and so we we p and then [clears throat]

[27:24] we taught it to a bunch of the other

[27:26] westerners and we made on on a Tuesday.

[27:30] Then now the rainy season is over and we

[27:32] came back down. We're in Nanal and

[27:34] seeing Maharaji again.

[27:37] We decided that we were going to do the

[27:40] first puja to Maharaji done by

[27:44] westerners and we arranged on Tuesday

[27:47] which is Hanuman's day to have 80 pounds

[27:51] 80 pounds of ladus delivered to the

[27:54] temple with all the the the plates for

[27:57] the puja the dishes and the the arty

[28:00] lamp and everything and we were going to

[28:02] sing hanumanchalisa to Maharaji on

[28:04] Tuesday.

[28:07] So, and it was a big secret.

[28:11] Nobody, you know, we didn't tell

[28:12] anybody.

[28:14] And of course, we hadn't memorized the

[28:16] chalice yet. We were singing it, but we

[28:18] didn't memorize it. So, we get to the

[28:20] temple on Monday and we're sitting

[28:23] outside waiting for Maharaji to come out

[28:26] and he bursts through the doors of his

[28:29] room. He sits down. He says, "Anumalisa,

[28:32] sing it now.

[28:35] We went running for our books, you know,

[28:37] what are we doing? Ah, yeah. What are we

[28:38] going to do? And we were standing in

[28:40] front of him and we started to sing. And

[28:42] I'll never forget I got to the six

[28:44] verse. What was that? Uh,

[28:47] I can't go. Anyway, I made a mistake in

[28:50] pronunciation and he tried to correct me

[28:54] and I went

[28:57] and he went, "Never mind, never mind.

[28:58] Just sing." And from that moment on, he

[29:01] never corrected anybody, any westerner

[29:03] anymore about pronunciation.

[29:07] So

[29:09] that transformed

[29:12] these crazy westerners into a troop of

[29:15] performing monkeys.

[29:19] And whenever the Indian people were

[29:21] giving him a hard time, he said, "New,

[29:23] come on over here." And then we would

[29:25] all gather around them and we would sing

[29:27] Hanumanisa. And you know in India they

[29:31] they have respect for your airspace.

[29:34] They don't step over your over you. So

[29:38] we would get around Maharaji and they'd

[29:40] be like locked out behind us and they

[29:43] couldn't even see him. You know we're

[29:44] standing there singing and they're like

[29:45] going what's going on here? you know,

[29:49] so he would do that quot and so we got

[29:51] to sing it to him many many many times

[29:54] and um

[29:59] you see we we we understood that the

[30:03] west the Indians

[30:06] saw him as Hanuman himself

[30:09] and they had told us many of their

[30:10] experiences when they actually had a

[30:14] vision of Hanuman w with Maharaji. For

[30:18] instance, sometimes someone would come

[30:20] to the temple

[30:22] and

[30:24] like a cuz it was on a on a pilgrimage

[30:26] place. Many times it were like tour

[30:28] buses. Somebody would come through the

[30:30] temple and they'd

[30:33] they go to the Hanaman temple and they'd

[30:35] bow and instead of seeing Hanaman they

[30:37] would see a guy sitting there with a

[30:40] blanket on and they would say they would

[30:43] ask somebody in the temple who's the guy

[30:44] in the temple sitting who's and they

[30:47] said what are you talking about and they

[30:48] go back and look and there's Hanuman

[30:49] instead of it was Maharaji giving them a

[30:52] a shot.

[30:57] So

[31:07] >> clean.

[31:10] >> Remeas wants you to know that the next

[31:13] time you get your teeth cleaned in the

[31:14] dentist office, you can hear the Hanuman

[31:17] Chalisa on Spotify.

[31:25] So, not only will your teeth get pulled

[31:27] out, but you'll lose some bad karmas.

[31:31] So, uh let's see

[31:34] the funny thing about

[31:37] us learning from the Indian devotees.

[31:41] One of my guru told me a story. He said,

[31:43] "We saw that the Indian people would

[31:45] come with these very soft apples and

[31:48] they would cut the apple up in small

[31:50] pieces and offer it to Maharaji." So one

[31:53] day one of these guys Balaramdas decided

[31:57] to do that. He said he came into the

[32:00] room there were some Indian people there

[32:01] Indian devotees and he sat down in front

[32:04] of Maharaji and he cut the apple and he

[32:06] offered it to Maharaji. He said the look

[32:09] on Maharaji's face was the way you would

[32:14] look if your dog sat up and started

[32:16] talking to you.

[32:23] That's kind of the way he saw us. Yeah.

[32:26] [music]

[32:28] So,

[32:31] Hanamanchalisa is it's a hymn. It's an

[32:33] invocation.

[32:35] It's almost like a jigsaw puzzle.

[32:39] Every piece is a is putting is creating

[32:44] that form of Hanuman within us. That now

[32:47] what is Hanuman also? because it's just

[32:49] some monkey that jumps around out there.

[32:52] Maharaji said Hanuman, Krishna and

[32:55] Christ are the same.

[32:59] And you know there's a book called the

[33:02] unvarnished New Testament which is a

[33:05] translation

[33:07] of the New Testament from the original

[33:09] Greek.

[33:11] And in the King James

[33:14] uh they talk about Holy Spirit, right?

[33:17] But in the original Greek what's it's

[33:21] translated as holy breath

[33:26] very different spirit is out there

[33:28] somewhere else breath is in the body

[33:32] breath is here not somewhere else is

[33:35] very different and once again breath and

[33:38] prana are linked as well so hanuman and

[33:42] christ are very similar

[33:46] direct connections to the one.

[34:03] All right. So, [music] we'll sing a

[34:04] couple of more.

[34:08] [music]

[34:17] >> [music]

[34:18] >> Okay, wait before we do that

[34:22] the first four lines or eight lines are

[34:26] called chopai. It's a different meter

[34:28] and it's an introduction to the

[34:29] Hanumanalisa

[34:31] and it's a very important little piece

[34:34] of the puzzle.

[34:37] Shri guru

[34:42] nijanu mukuru sudari. So that line

[34:46] it likens the uh the dust from the lotus

[34:50] feet from the feet of the guru as the

[34:52] pollen from a lotus flower.

[34:55] And it says I take that pollen-like dust

[34:58] from the lotus feet of the guru to clean

[35:02] the mirror of my heart.

[35:10] This concept of the mir of the heart

[35:12] being a mirror is very interesting. When

[35:15] we look in a mirror and it's covered

[35:18] with dust and dirt, we see a very

[35:22] distorted

[35:24] unaccurate view of what's of what's in

[35:27] the mirror of our own face

[35:30] because of the dust on the mirror.

[35:33] So we take the the the the pollen like

[35:36] dust from the lotus feet of the guru

[35:39] which is called chan amred which is

[35:42] consciousness, bliss, reality, love,

[35:47] real love to clean the mirror of our

[35:50] hearts and then we begin to sing the

[35:53] praises of hanuman and ram.

[36:00] That's why this practice is a

[36:02] purification practice. It cleans the

[36:04] mirror of the heart

[36:08] because we

[36:11] we're all of us each one of us is seeing

[36:15] our own version of what we think is out

[36:18] there.

[36:20] And as many beings as there are in the

[36:22] world, that's how many versions

[36:25] of the world there are.

[36:28] Everybody sees their own subjective

[36:30] reality as though because of the dust on

[36:33] the mirror of the heart. The lust, the

[36:36] anger, the greed, the shame, the fear,

[36:38] the selfishness. This is what the dust

[36:41] is. Egoistic stuff.

[36:45] When that's cleared off, cleaned off,

[36:49] you see your true face. You see the

[36:51] soul, which is the same in every single

[36:55] being.

[36:56] That's the one.

[36:59] So we purify, we clean our hearts

[37:04] with these practices.

[37:07] The next line is buddhina.

[37:10] I know that I don't know

[37:12] That's what it means. I don't I I'm

[37:14] ignorant. So I I beg you Hanuman give me

[37:19] strength, give me intelligence, give me

[37:22] wisdom

[37:24] and

[37:26] remove the impurities in my heart.

[37:30] That's the first that's the beginning.

[37:32] That's what we're

[37:34] this is a propitiation. We are asking

[37:36] for something here. We're asking for

[37:38] help

[37:41] and then we go ahead and do the chalisa.

[37:44] So that's the first part. [music]

[37:50] [music]

[37:56] [music]

[38:03] Fore!

[38:05] [singing and music]

[38:12] [singing]

[38:13] [music]

[38:20] [singing and music]

[38:23] Foreign! Foreign!

[38:28] Fore! [music]

[38:33] [singing]

[38:35] [music]

[38:37] Foreign! Foreign!

[38:43] [music]

[38:47] Foreign

[38:52] [music and singing]

[38:57] [music and singing]

[38:59] speech. Foreign speech. Foreign speech.

[39:02] [music and singing]

[39:08] Fore! Foreign! Foreign!

[39:10] [music]

[39:15] [music]

[39:17] [singing]

[39:21] teach. [music]

[39:23] [singing]

[39:27] [music]

[39:29] [singing]

[39:35] [music]

[39:46] [music]

[39:47] Foreign

[39:55] [music]

[39:56] speech. Foreign speech. Foreign speech.

[40:02] [music and singing]

[40:07] her. She lie. [music and singing]

[40:14] [music and singing]

[40:20] [singing]

[40:22] [music]

[40:27] [music]

[40:30] >> [singing]

[40:32] >> Shah. [music]

[40:37] [singing]

[40:40] [music]

[40:44] [singing]

[40:46] [music]

[40:52] [singing]

[40:55] [music]

[40:57] Fore

[40:59] [singing]

[41:03] [music]

[41:06] your time through. [singing]

[41:09] [music]

[41:17] [music]

[41:21] [singing]

[41:24] [music] for

[41:30] [music]

[41:34] [singing]

[41:38] [music]

[41:45] [music]

[41:46] [singing]

[41:51] [music]

[41:54] put This

[41:57] [singing]

[42:00] [music]

[42:05] is up here. [music]

[42:12] [music]

[42:13] [singing]

[42:16] But

[42:21] [music]

[42:22] [singing]

[42:26] to massage [music]

[42:29] [singing]

[42:35] [music]

[42:36] [singing]

[42:42] >> [music and singing]

[42:47] >> to Morocco.

[42:50] [music]

[42:55] [singing]

[43:01] [music]

[43:04] Fore!

[43:06] [music] Foreign! Foreign!

[43:09] [singing]

[43:13] [music]

[43:16] for

[43:19] [music]

[43:29] [music and singing]

[43:37] [music]

[43:41] [singing]

[43:45] JJ Foreign [music]

[43:52] [music]

[43:57] speech. Foreign speech. Foreign speech.

[43:58] [music]

[44:03] [singing]

[44:07] S [music] Kingch.

[44:11] [singing]

[44:16] [music]

[44:17] [singing]

[44:22] [music]

[44:29] [singing]

[44:30] [music]

[44:35] [singing]

[44:36] [music]

[44:42] >> [music]

[44:49] [music]

[44:49] [singing]

[44:54] [music]

[44:57] >> You could

[45:01] [music]

[45:07] [singing]

[45:11] [music] party.

[45:14] [singing]

[45:18] for

[45:20] [music and singing]

[45:25] [music]

[45:31] [music]

[45:39] [singing]

[45:39] >> [music]

[45:46] [music]

[45:51] >> I have [singing]

[45:54] [music]

[46:00] [singing]

[46:01] [music]

[46:06] the case Fore! Foreign! Foreign!

[46:08] [singing]

[46:09] [music]

[46:17] [music]

[46:18] foreign.

[46:24] [music and singing]

[46:31] [music]

[46:32] [singing]

[46:37] I'm on a busy

[46:40] [music]

[46:47] [music]

[46:56] [singing]

[46:57] [music]

[47:03] [music]

[47:04] [singing]

[47:09] >> [music and singing]

[47:16] [singing]

[47:19] [music]

[47:22] >> Out of the shore, [music]

[47:29] [singing]

[47:31] [music]

[47:36] [singing]

[47:36] [music]

[47:42] [music]

[47:44] Foreign

[47:48] [music]

[47:52] [music]

[47:54] speech. Foreign speech. Foreign speech.

[47:59] [music and singing]

[48:04] >> [music]

[48:07] [singing]

[48:11] [music]

[48:12] >> Marco

[48:16] [singing]

[48:16] [music]

[48:22] [music]

[48:30] [music]

[48:31] [singing]

[48:33] Happy

[48:36] [music]

[48:41] [singing]

[48:43] [music]

[48:49] [music]

[48:55] [music]

[49:00] [music]

[49:02] >> [singing]

[49:06] [music]

[49:08] >> massage.

[49:11] [music]

[49:14] So [singing]

[49:15] the

[49:17] [music]

[49:23] [music]

[49:28] Morocco

[49:30] [music]

[49:35] [music and singing]

[49:42] [music and singing]

[49:49] [music]

[49:58] >> [singing]

[49:59] [music]

[50:03] >> for

[50:05] [music and singing]

[50:11] [music]

[50:15] [singing]

[50:19] [music]

[50:27] [music]

[50:28] Jo. Shut the bar up the car.

[50:33] [music]

[50:34] [singing]

[50:39] [music]

[50:40] [singing]

[50:44] [music]

[50:46] [singing]

[50:50] >> [music]

[50:50] [singing]

[50:56] [music]

[50:56] >> Fore!

[51:04] [music]

[51:10] [music]

[51:14] Foreign! Foreign! [singing]

[51:19] [music]

[51:23] Malon.

[51:26] [singing]

[51:31] [music]

[51:38] [music]

[52:00] That line there's that phrase that we

[52:02] sing between the chalissas

[52:04] mangala morti mutand

[52:09] sakala amangala mula nanda

[52:13] I don't know if it's written down

[52:14] anywhere but it's somewhere

[52:17] um And what it means is Hanuman is the

[52:21] embodiment of everything that's

[52:23] auspicious and and

[52:28] uh good

[52:31] and the the root d the destroyer of the

[52:33] root of all everything that's

[52:36] inospicious and bad for us.

[52:39] Mangala morti mutan son of the wind

[52:44] saka among every single

[52:48] every single thing that that is not

[52:50] helpful for us that is negative in our

[52:52] lives anywhere in our subtle bodies

[53:01] the root destroyer the root remover of

[53:04] everything that it's not helpful for

[53:21] What time is it? What does that mean?

[53:25] >> This is what time it is.

[53:29] >> It's 4:30, 5:30.

[53:31] >> What time is it?

[53:31] >> 10 after 5.

[53:33] >> 20 after

[53:33] >> 10 after 10.

[53:44] Oh, okay. So, the the auction is

[53:48] >> closing

[53:49] >> just about to end.

[53:50] >> Five minutes.

[53:50] >> It ends in five minutes. So, go spend

[53:52] your money

[53:54] if you have any. Um, we'll sing it again

[53:58] tonight

[54:00] once once again. It's a meditation. It's

[54:03] a mantra. It's an invocation. It's a

[54:06] visualization.

[54:08] It's a way of entering into

[54:12] more deeply onto the path and more

[54:15] deeply into your heart.

[54:18] Hanuman is Ramad. He's the messenger of

[54:22] Ram.

[54:24] The connection with with to Ram.

[54:28] It's like in New York there was the 42nd

[54:31] Street shuttle.

[54:33] You get on on the east side, you can't

[54:35] get off until the west side.

[54:37] You get into Hanuman, you can't get off

[54:39] until you're in Ram. Because ultimately,

[54:43] Hanuman and Ram are not different.

[54:47] Actually, in one of the many Ramayanas,

[54:51] uh, Ram asks Hanuman, "How do you see

[54:53] me?" And he says, "When I identify with

[54:56] the body, I serve you. When I identify

[55:00] with the soul, you are the whole and I

[55:03] am a part. But when I know what's really

[55:05] happening, you and I are one.

[55:08] So it's a multi-level thing. But at all

[55:11] times.

[55:14] So one time

[55:16] Maharaji went to Chitrakud which is one

[55:19] of the places where

[55:21] uh Ram and Sitha lived for many years

[55:24] and Lakshman when they were banished

[55:26] from the kingdom

[55:28] and there's a place on the top of a

[55:30] place called Hanumandhara a a big

[55:33] mountain in Chitrakoot which is called

[55:36] Sitha Rosoi Sitta's kitchen

[55:40] and it's there that they lived for a

[55:42] while and she would cooked the food for

[55:44] ramen lakshma

[55:47] and one time Maharaji went up there with

[55:49] Dada Mukerji. Now there's a few books

[55:52] about Maharaji not only miracle of love

[55:55] but Dada wrote two books one is called

[55:58] by His grace and the near and the dear

[56:01] and

[56:03] they're worth reading and of course

[56:05] there's the books that Parvati put

[56:06] together.

[56:08] Um

[56:10] so Dada went there with Maharaji and

[56:14] Maharaji was sitting down there at Sith

[56:16] Rasoi where there's a stream a little

[56:19] coming up out of the mountain and

[56:21] Maharaji said to Dada and Dada after

[56:25] Hanumanji burnt Lanka

[56:27] he came here to cool off

[56:31] by the stream by the water and then Dada

[56:34] told me he said then Maharaji said

[56:39] really kind of just talking to himself.

[56:40] He said, "But Hanumanji was always at

[56:44] peace."

[56:47] Always at peace. Even while he's killing

[56:50] the demons,

[56:52] serving Ram, doing everything, he's

[56:54] always in the right place.

[56:58] And that's where we are headed

[57:00] ourselves.

[57:03] When we reach the place where we are

[57:06] connected to our own souls, our own

[57:09] atma, our own true nature,

[57:13] regardless of what happens in the

[57:14] outside world, we will always be at

[57:17] peace because we're connected deeply to

[57:20] the truth.

[57:22] And Hanaman is one of the many ways

[57:26] to connect that way.

[57:29] So

[57:31] see you later.

[57:33] >> [applause]

Krishna Das
ArtistKrishna Das

American kirtan singer, devotee of Neem Karoli Baba, often called "Yoga's rock star." His chanting of the Name has filled rooms, stadiums, and concert halls for over forty years. A…

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よくある質問

In Ayurveda, Hanuman represents prana—the vital life force and animating energy. Known as the son of the wind god, Hanuman embodies the energy that flows through the 84,000 nadis (subtle channels) in the body, capable of clearing blockages created by emotional material and trauma.
According to Krishna Das, chanting the Hanuman Chalisa invokes Hanuman as prana within the body. This activated prana moves through the nadis and washes away emotional trauma and stored patterns that have accumulated in the subtle body, freeing us from unconscious reactive behavior.
No. You can read the Hanuman Chalisa, chant it with or without music, or sing it. The important element is that each line is offered with sincere intention, as if placing an offering before the deity, rather than achieving perfect memorization or performance.
Mahamantra means 'the great name'—the name itself. Maharaji taught that all names are mahamantra, and through repetition of the name, everything is accomplished. Each line of the Hanuman Chalisa carries this power to invoke presence and transform consciousness.
There is a direct correlation between how difficult a practice is and the benefit it produces. Longer mantras like the Hanuman Chalisa demand sustained attention, breath, and intention, generating more shakti and creating greater movement in the heart than shorter repetitions.
Ravana's ten heads symbolize the five senses and their five objects, governed by the ego. This represents the ego's attempt to claim the shakti (divine energy), but the story teaches that the true self cannot actually be captured—it is inviolable and eternal.

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